As regular visitors to Examining the Odd will know by now, British-born Mexican surrealist Leonora Carrington is one of my favourite artists. Her paintings are somehow oppressive yet elegant, tense yet loving. Her writing is inspiring and thought-provoking. We have two prints of hers at the bottom of our stairs to add a little more amazement to everyday life!

One of her sculptures has very recently been unveiled in Mexico City, donated by her son Pablo Weisz to the Acquis Heritage Collection SHCP. It’s a dream of mine to visit Mexico one day. I just need to find out which time of year is coldest and trip over a pile of money first!

 

I can spend so much time looking at these… There’s just so much to see. Each little character looks as though they could have a whole novel attached to them. Even the trees are fascinating, appearing to be thinking, watching…

Even as a young girl, Carrington was a non-conformist. She was repeatedly thrown out of her schools for “anti -social tendencies and certain supernatural proclivities”. In Florence and Paris she revelled in the arts, but dodged her workload and school regiment through running away, and was consequently expelled… It was at Chelsea, in the classes of cubist Amédée Ozenfant, that art, commitment and precision all came together for Leonora. Ozenfant insisted on understanding “the chemistry of everything you used”. In 1936, she visited the London International Surrealist Exhibition, and became obsessed with the movement.  – Hunger

The short video above talks about Leonora’s horrible marriage to Renato Leduc, and her beautiful one to Emericko Weisz. Leonora also talks of her disgust and bemusement towards bull-fighting – well done Leonora.

I was lucky enough to see a tiny production of The Hearing Trumpet by Dark Matter Theatre in Brighton recently. We were two of the four members of the audience, but it was a wonderful little piece of surrealist theatre.

Leonora Carrington was 94 when she died – I hope I manage to look that cheeky when I’m that age. She truly was “the last great living surrealist” – Homero Aridjis