Month: December 2016

Book Review – Feeder by Eliza Green

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Eliza Green – Feeder (Book 1 in a new series of the same name)

Goodreads synopsis: When their hometown of Brookfield is poisoned by radiation, seventeen-year-old Anya Macklin and her older brother Jason are relocated to the safe but boring urbano of Essention.
While Jason is put to work, Anya is enrolled in the adult skills course at Arcis, a secretive and heavily monitored education facility. There she must compete with other teenage recruits and earn her place in society by reaching the top floor.
At first, Anya fears change, and is reluctant to advance. But then she meets Dom Pavesi, a brooding, evasive stranger who drives her to discover the rules of this dangerous game where there can be only one winner.
Who is Dom? Which side is he on?
And what terrible truth awaits Anya on the ninth floor of Arcis?

08214405-b328-4449-90ce-70e5285b04e5Eliza Green, author.

Feeder is a young adult dystopian romance which leans more towards character growth and exciting adventure and less to rippling muscles and tight t-shirts (my major problem with most YA).

It’s an interesting read which ambitiously covers a number of ‘levels’ which the protagonist and her friends must navigate in a game-like fashion. Feeder has a number of memorable visual scenes such as a room of crying babies, a maze of coloured doors, and part metal, part organic wolf creatures.

Ultimately, the book is a tale of self-discovery and growth. Anya must make difficult decisions about the way in which her life is progressing, who she chooses to trust and who to be wary of, and what is the right thing to do for the common good.

Along her journey she faces many moral dilemmas, often having to choose between self-preservation and helping others. Once these decisions have been made however, she must still deal with the regret and remorse which arises from her actions.

On a bigger scale Feeder also touches on social and political issues in the style of 1984 (which I love) or The Hunger Games (not so much). Although many YA books appeal to me even at the age of thirty, I would recommend this book to those aged 14-21 or to adults who specifically enjoy YA fiction.

If you’re the parent of a teen and you think they’re not quite ready for 1984, this is definitely the book to buy them! I thoroughly enjoyed Feeder and felt as though I was binge-watching a new TV series. At times there was far more information than I needed and I think the book could really benefit from being cut down, but the story holds it up high.

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Short Story Saturday – A Vintage from Atlantis by Clark Ashton Smith

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Clark_Ashton_Smith_1912

It’s Short Story Saturday! This week it’s Clark Ashton Smith‘s A Vintage from Atlantis.

A Vintage from Atlantis
written by Clark Ashton Smith 1933
From Weird Tales Volume 22, Issue 3

I thank you, friend, but I am no drinker of wine, not even if it be the rarest Canary or the oldest Amontillado. Wine is a mocker, strong drink is raging . . . and more than others, I have reason to know the truth that was writ by Solomon the Jewish king. Give ear, if ye will, and I shall tell you a story such as would halt the half-drained cup on the lips of the hardiest bibber.

We were seven-and-thirty buccaneers, who raked the Spanish Main under Barnaby Dwale, he that was called Red Barnaby for the spilling of blood that attended him everywhere. Our ship, the Black Falcon, could outfly and outstrike all other craft that flew the Jolly Roger. Full often, Captain Dwale was wont to seek a remote isle on the eastward verge of the West Indies, and lighten the vessel of its weight of ingots and doubloons.

The isle was far from the common course of maritime traffic, and was not known to maps or other mariners; so it suited our purpose well. It was a place of palms and sand and cuffs, with a small harbor sheltered by the curving outstretched arms of rugged reefs, on which the dark ocean climbed and gnashed its fangs of white foam without troubling the tranquil waters beyond. I know not how many times we had visited the isle; but the soil beneath many a coco tree was heavy with our hidden trove. There we had stored the loot of bullion-laden ships, the massy plate and jewels of cathedral towns.

Even as to all mortal things, an ending came at last to our visits. We had gathered a goodly cargo, but might have stayed longer on the open main where the Spaniards passed, if a tempest had not impended. We were near the secret isle, as it chanced, when the skies began to blacken; and wallowing heavily in the rising seas we fled to our placid harbor, reaching it by night-fall. Before dawn the hurricane had blown by; and the sun came up in cloudless amber and blue. We proceeded with the landing and burying of our chests of coin and gems and ingots, which was a task of some length; and afterward we refilled our water-casks at a cool sweet spring that ran from beneath the palmy hill not far inland.

It was now midafternoon. Captain Dwale was planning to weigh anchor shortly and follow the westering sun toward the Caribbees. There were nine of us, loading the last barrels into the boats, with Red Barnaby looking on and cursing us for being slower than mud-turtles; and we were bending knee-deep in the tepid, lazy water, when suddenly the captain ceased to swear, and we saw that he was no longer watching us. He had turned his back and was stooping over a strange object that must have drifted in with the tide, after the storm: a huge and barnacle-laden thing that lay on the sand, half in and half out of the shoaling water. Somehow, none of us had perceived it hereto-fore.

Red Barnaby was not silent long.

“Come here, ye chancre-eaten coistrels,” he called to us. We obeyed willingly enough, and gathered around the beached object, which our captain was examining with much perplexity. We too were greatly bewondered when we saw the thing more closely; and none of us could name it offhand or with certainty.

The object had the form of a great jar, with a tapering neck and a deep, round, abdomens body. It was wholly encrusted with shells and corals that had gathered upon it as if through many ages in the ocean deeps, and was festooned with weeds and sea-flowers such as we had never before beheld; so that we could not determine the substance of which it was made.

At the order of Captain Dwale, we rolled it out of the water and beyond reach of the tide, into the shade of nearby palms; though it required the efforts of four men to move the unwieldy thing, which was strangely ponderous. We found that it would stand easily on end, with its top reaching almost to the shoulders of a tall man. While we were handling the great jar, we heard a swishing noise from within, as if it were filled with some sort of liquor.

Our captain, as it chanced, was a learned man.

“By the communion cup of Satan!” he swore. “If this thing is not an antique wine-jar, then I am a Bed-lamite. Such vessels-though mayhap they were not so huge-were employed by the Romans to store the goodly vintages of Falernus and Cecuba. Indeed, there is today a Spanish wine-that of Valdepenas – which is kept in earthen jars. But this, if I mistake not, is neither from Spain nor olden Rome. It is ancient enough, by its look, to have come from that long-sunken isle, the Atlantis whereof Plato speaks. Truly, there should be a rare vintage within, a wine that was mellowed in the youth of the world, before the founding of Rome and Athens; and which, perchance, has gathered fire and strength with the centuries. Ho! my rascal sea-bullies! We sail not from this harbor till the jar is broached. And if the liquor within be sound and potable, we shall make holiday this evening on the sands.”

“Belike, ’tis a funeral urn, full of plaguey cinders and ashes,” said the mate, Roger Aglone, who had a gloomy turn of thought.

Red Barnaby had drawn his cutlas and was busily prying away the crust of barnacles and quaint fantastic coral-growths from the top of the jar. Layer on layer of them he removed, and swore mightily at this increment of forgotten years. At last a great stopper of earthen-ware, sealed with a clear wax that bad grown harder than amber, was revealed by his prying. The stopper was graven with queer letters of an unknown language, plainly to be seen; but the wax refused the cutlas—point. So, losing all patience, the captain seized a mighty fragment of stone, which a lesser man could scarce have lifted, and broke therewith the neck of the jar.

Now even in those days, I, Stephen Magbane, the one Puritan amid that Christless crew, was no bibber of wine or spirituous liquors, but a staunch Rechabite on all occasions. Therefore I held back-, feeling little concern other than that of reprobation, while the others pressed about the jar and sniffed greedily at the con-tents. But, almost immediately with its opening, my nostrils were assailed by an odor of heathen spices, heavy and strange; and the very inhalation thereof caused me to feel a sort of giddiness, so that I thought it well to retreat still further. But the others were eager as midges around a fermenting-vat in autumn.

” ‘Sblood! ‘Tis a royal vintage!” roared the captain, after he had dipped a forefinger in the jar and sucked the purple drops that dripped from it. “Avast, ye slumgullions! Stow the water-casks on board, and summon all hands ashore, leaving only a watch there to ward the vessel. We’ll have a gala night before we sack any more Spaniards.”

We obeyed his order; and there was much rejoicing amid the crew of the Black Falcon at the news of our find and the postponement of the voyage. Three men, grumbling sorely at their absence from the revels, were left on board; though, in that tranquil harbor, such vigilance was virtually needless. We others returned to the shore, bringing a supply of pannikins in which to serve the wine, and provisions for a feast. Then we gathered pieces of drift with which to build a great fire, and caught several huge tortoises along the sands, and unearthed their hidden eggs, so that we might have an abundance and variety of victuals.

In these preparations I took part with no special ardor. Knowing my habit of abstention, and being of a somewhat malicious and tormenting humor, Captain Dwale had expressly commanded my presence at the feast. However, I anticipated nothing more than a little ribaldry at my expense, as was customary at such times; and being partial to fresh tortoise-meat, I was not wholly unresigned to my lot as a witness of the Babylonian inebrieties of the others.

At nightfall, the feasting and drinking began; and the fire of driftwood, with eery witch-colors of blue and green and white amid the flame, leapt high in the dusk while the sunset died to a handful of red embers far on purpling seas.

It was a strange wine that the crew and captain swilled from their pannikins. I saw that the stuff was thick and dark, as if it had been mingled with blood; and the air was filled with the reek of those pagan spices, hot and rich and unholy, that might have poured from a broken tomb of antique emperors. And stranger still was the intoxication of that wine; for those who drank it became still and thoughtful and sullen; and there was no singing of lewd songs, no playing of apish antics.

Red Barnaby had been drinking longer than the others, having begun to sample the vintage while the crew were making ready for their revel. To our wonderment, he ceased to swear at us after the first cupful, and no longer ordered us about or paid us any heed, but sat peering into the sunset with eyes that held the dazzlement of unknown dreams. And one by one, as they began to drink, the others were likewise affected, so that I marvelled much at the unwonted power of the wine. I had never before beheld an intoxication of such nature; for they spoke not nor ate, and moved only to refill their cups from the mighty jar.

The night had grown dark as indigo beyond the flickering fire, and there was no moon; and the firelight blinded the stars. But one by one, after an interval, the drinkers rose from their places and stood staring into the darkness toward the sea. Unquietly they stood, and strained forward, peering intently as men who behold some marvelous thing; and queerly they muttered to one another, with unintelligible words. I knew not why they stared and muttered thus, unless it were because of some madness that had come upon them from the wine; for naught was visible in the dark, and I heard nothing, save the low murmur of wavelets lapping on the sand.

Louder grew the muttering; and some raised their bands and pointed seaward, babbling wildly as if in delirium. Noting their demeanor, and doubtful as to what further turn their madness might take, I bethought me to withdraw along the shore. But when I began to move away, those who were nearest me appeared to waken from their dream, and restrained me with rough hands. Then, with drunken, gibbering words, of which I could make no sense, they held me helpless while one of their number forced me to drink from a pannikin filled with the purple wine.

I fought against them, doubly unwilling to quaff that nameless vintage, and much of it was spilled. The stuff was sweet as liquid honey to the taste, but burned like hell-fire in my throat. I turned giddy; and a sort of dark confusion possessed my senses by degrees; and I seemed to hear and see and feel as in the, mounting fever of calenture.

The air about me seemed to brighten, with a redness of ghostly blood that was everywhere; a light that came not from the fire nor from the nocturnal heavens. I be-held the faces and forms of the drinkers, standing with-out shadow, as if mantled with a rosy phosphorescence. And beyond them, where they stared in troubled and restless wonder, the darkness was illumed with the strange light.

Mad and unholy was the vision that I saw: for the harbor waves no longer lapped on the sand, and the sea had wholly vanished. The Black Falcon was gone, and where the reefs had been, great marble walls ascended, flushed as if with the ruby of lost sunsets. Above them were haughty domes of heathen temples, and spires of pagan palaces; and beneath were mighty streets and causeys where people passed in a never—ending throng. I thought that I gazed upon some immemorial city, such as had flourished in Earth’s prime; and I saw the trees of its terraced gardens, fairer than the palms of Eden. Listening, I heard the sound of dulcimers that were sweet as the moaning of women; and the cry of horns that told forgotten glorious things; and the wild sweet singing of people who passed to some hidden, sacred festival within the walls.

I saw that the light poured upward from the city, and was born of its streets and buildings. It blinded the heavens above; and the horizon beyond was lost in a shining mist. One building there was, a high fane above the rest, from which the light streamed in a muddier flood; and from its open portals music came, sorcerous and beguiling as the far voices of bygone years. And the revellers passed gayly into its portals, but none came forth. The weird music seemed to call me and entice me; and I longed to tread the streets of the alien city, and a deep desire was upon me to mingle with its people and pass into the glowing fane.

Verily I knew why the drinkers had stared at the darkness and had muttered among themselves in wonder. I knew that they also longed to descend into the city. And I saw that a great causey, built of marble and gleaming with the red luster, ran downward from their very feet over meadows of unknown blossoms to the foremost buildings.

Then, as I watched and listened, the singing grew sweeter, the music stranger, and the rosy luster brightened. Then, with no backward glance, no word or gesture of injunction to his men, Captain Dwale went slowly forward, treading the marble causey like a dreamer who walks in his dream. And after him, one by one, Roger Aglone and the crew followed in the same manner, going toward the city.

Haply I too should have followed, drawn by the witching music. For truly it seemed that I had trod the ways of that city in former time, and had known the things whereof the music told and the voices sang. Well did I remember why the people passed eternally into the fane, and why they came not forth; and there, it seemed, I should meet familiar and beloved faces, and take part in mysteries recalled from the foundered years.

All this, which the wine had remembered through its sleep in the ocean depths, was mine to behold and conceive for a moment. And well it was that I had drunk less of that evil and pagan vintage than the others, and was less besotted than they with its luring vision. For, even as Captain Dwale and his crew went toward the city, it appeared to me that the rosy glow began to fade a little. The walls took on a wavering thinness, and the domes grew insubstantial. The rose departed, the light was pale as a phosphor of the tomb; and the people went to and fro like phantoms, with a thin crying of ghostly horns and a ghostly singing. Dimly above the sunken causey the harbor waves returned; and Red Barnaby and his men walked down beneath them. Slowly the waters darkened above the fading spires and walls; and the midnight blackened upon the sea; and the city was lost like the vanished bubbles of wine.

A terror came upon me, knowing the fate of those others. I fled swiftly, stumbling in darkness toward the palmy hill that crowned the isle. No vestige remained of the rosy fight; and the sky was filled with returning stars. And looking oceanward as I climbed the hill, I saw a lantern that burned on the Black Falcon in the harbor, and discerned the embers of our fire that smoldered on the sands. Then, praying with a fearful fervor, I waited for dawn.

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The People Who Wear Black

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The People Who Wear Black

Mike Russell

Sometimes things are naughty. They do things they’re not supposed to. They appear and disappear and fly around all by themselves. Things aren’t supposed to appear and disappear and fly around all by themselves. Once I saw my dolly do it. She flew around my room. It was night time. Of course it was. We sleep in the daytime. Daddy says it’s better that way because daytime is too bright. I had my candle lit. So I could see her. Flying around my room. I wanted to light another candle so I could see her better but Daddy says we must only have one candle lit in a room. We don’t have any electric lights in the house. Daddy says they’re too bright. Sometimes I think Daddy is scared of seeing something. I wonder what it is that he is scared of seeing. Dolly flew around my room then she disappeared. Daddy found her in his bed.

‘What’s your dolly doing in my bed?’ he said.

‘She got there by magic,’ I said.

‘Tsk,’ he said, which is what he says when he is grumpy about something.

‘I saw her fly around my room,’ I said, ‘then she disappeared.’

‘Tsk,’ Daddy said, ‘things don’t fly around all by themselves or disappear or reappear. There are laws against it.’

‘But laws don’t stop people doing bad things do they?’ I said. I know that because Daddy told me it when I asked him what happened to Uncle Tom. ‘So laws against things flying by themselves or disappearing or reappearing won’t stop things from flying by themselves or disappearing or reappearing,’ I said.

‘Tsk,’ said Daddy.

‘Will Dolly go to prison?’ I said.

‘Don’t be silly,’ Daddy said. Then he told me about The People Who Wear Black. ‘They wear black so you can’t see them,’ he said. ‘They wear black shoes and black trousers and black jumpers and black gloves and black balaclavas. And they creep around quietly in the dark. And they pick things up so it looks like the things are moving all by themselves and they cover things up with black cloths so it looks like the things have disappeared then they uncover them again so it looks like they have reappeared. It’s The People Who Wear Black that make it look like magic happens. It doesn’t really.’

‘What about when magic happens when it’s light?’ I said, ‘Nothing that looks like magic ever happens in the light,’ Daddy said.

‘How do you know?‘ I said.

‘Tsk’, he said.

‘I’m not sure I believe in The People Who Wear Black,’ I said, ‘I think magic does happen! And I think you keep me in the dark so I don’t see magic happening because I think you don’t like magic!’

‘Tsk!’ he said then he went into his room then came back out again with an electric torch and gave it to me. I didn’t know he had a torch.

‘Next time you think some magic is happening,’ he said, ‘switch this on and see what you see.’

‘Alright then, ‘I said, ‘I will.’ Then I went to bed.

The next night, my dolly started flying around my room again. She wasn’t as graceful as before but she was definitely flying. She flew over the bed and over the toy-box and over the candle. I switched on the torch. There was a man dressed in black standing in front of me. He was holding Dolly in one of his black-glove covered hands, moving her about above his black-balaclava covered head. He was about the same height as Daddy. I screamed because he looked frightening then I pushed him and he stumbled backwards and tripped over and fell on the floor. When he fell he said ‘Tsk’ like Daddy does. I was glad he fell over because he was horrible. Then he stood up and ran out of the room. I picked up Dolly then I shouted:

‘I saw one! I saw one!’ Then Daddy came in and he held me as I cried and he seemed really happy.

www.strangebooks.com

Mike Russell has published two anthologies of short stories: Nothing Is Strange and Strange Medicine.

Short Story Saturday – Flock by Mike Russell

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Flock

by Mike Russell

 

Anthony Tobias Bradshaw sits, as usual, on the 7:00 a.m. train, on his way to work. Dressed in his black raincoat, pin-striped suit, white shirt, black tie and black shoes, Anthony Tobias Bradshaw reads the morning newspaper, either nodding or shaking his head in agreement or disagreement with the various articles. Each movement of his head, be it a nod or a shake, maintains and strengthens who it is that Anthony Tobias Bradshaw believes himself to be.

‘Why does he continue to go to work?’ is a question that many people have whispered behind the back of Anthony Tobias Bradshaw; not because Anthony Tobias Bradshaw is past retirement age and in receipt of a pension (though he is) but because the business for which Anthony Tobias Bradshaw continues to work closed down twelve years ago.

If anyone were to ask Anthony Tobias Bradshaw why he continues to diligently repeat the same administrative tasks, Monday to Friday, nine to five, in an abandoned office building, for a business that no longer exists, he would undoubtedly reply:

‘Because I am Anthony Tobias Bradshaw. That is what I do.’

The train slows to a halt. Anthony Tobias Bradshaw lays his newspaper on his lap and peers out of the window. The station that Anthony Tobias Bradshaw sees is not his destination. Anthony Tobias Bradshaw looks at his watch; his destination is not due for another twenty-seven minutes. Anthony Tobias Bradshaw shakes his head.

‘Guard!’

‘Yes, sir?’ the young guard replies, rushing through the carriage towards Anthony Tobias Bradshaw, eager to be of service.

‘This is the 7:00 a.m. non-stop train, is it not?’ Anthony Tobias Bradshaw asks.

‘Yes, sir,’ the guard answers. ‘This is the 7:00 a.m. train and it is non-stop.’

The guard smiles, happy that he has been able to help. Before Anthony Tobias Bradshaw can ask the guard why then, if the train is non-stop, has it just stopped, the guard walks on through the carriage with the satisfied feeling of a job well done.

Anthony Tobias Bradshaw shakes his head then picks up his newspaper and resumes reading. Whilst Anthony Tobias Bradshaw reads, the carriage doors open and an elderly woman in a multi-coloured shawl steps onto the train. She walks towards Anthony Tobias Bradshaw and sits in the seat opposite him.

The carriage doors shut and the train continues on its way.

The elderly woman stares at Anthony Tobias Bradshaw.

‘In the future,’ the woman says, ‘I remember a man like you.’

Anthony Tobias Bradshaw slowly lowers his newspaper.

‘I am sorry, madam, are you talking to me?’ Anthony Tobias Bradshaw enquires, knowing perfectly well that she is but wanting the woman to understand just how impertinent it is of her to be doing so.

The woman ignores Anthony Tobias Bradshaw’s question and says:

‘One day, the man realised that he wasn’t a man at all but that he was, in fact, sixteen birds. At the moment of realisation, the birds all suddenly took flight, each one flying off in a completely different direction.’

Anthony Tobias Bradshaw slowly shakes his head.

‘Is that so?’ Anthony Tobias Bradshaw says. ‘And what exactly is it that you are attempting to communicate to me by sharing this little work of fiction, this little fairy story, hmm? I presume that you intend it to have some sort of symbolic function, though I really cannot see what on Earth that might be.’

Anthony Tobias Bradshaw waits for an answer but the woman simply stares at him with an expression that clearly shows her disdain for everything he has just said. Anthony Tobias Bradshaw shakes his head then returns to his newspaper.

The 7:00 a.m. non-stop train eventually reaches its destination, the extra stop somehow not having added any time to the journey, and Anthony Tobias Bradshaw packs his newspaper away in his briefcase, shakes his head one last time at the elderly woman in the multi-coloured shawl who is still staring at him with the same expression, then Anthony Tobias Bradshaw stands up, steps off the train and walks towards the derelict building in which he works.

 

Anthony Tobias Bradshaw enters a large room filled with rows of empty, dust-covered desks and empty, dust-covered chairs. Though all of the desks and chairs are identical, Anthony Tobias Bradshaw always works at the same desk, his desk, and sits on the same chair, his chair, both of which are significantly less dust-covered and are situated at the far end of the room. Anthony Tobias Bradshaw walks to his desk, removes his coat and hangs it on the back of his chair, sits down and opens his briefcase.

‘I should not have even entered into conversation with her,’ Anthony Tobias Bradshaw says aloud to himself. ‘I should have just shaken my head then ignored her. That is what I should have done. To even entertain the possibility that such nonsense has meaning is a weakness that leaves oneself open to attack.’

Anthony Tobias Bradshaw feels a breeze, looks around him and sees an open window. Anthony Tobias Bradshaw shakes his head, reprimanding himself for not having closed the window the previous day. He hears a rustling sound coming from the waste-paper bin beneath his desk, looks inside the bin and sees a pigeon flapping about amongst the screwed up newspapers. Anthony Tobias Bradshaw shakes his head.

‘This is what happens,’ Anthony Tobias Bradshaw says aloud, ‘when one leaves just the tiniest opening.’

Anthony Tobias Bradshaw opens his desk drawer and removes a pair of scissors, a ball of string and a bulldog-clip. Using the scissors, Anthony Tobias Bradshaw cuts a one metre length of string from the ball. Anthony Tobias Bradshaw then ties one end of the length of string to the bulldog-clip. The other end of the string, Anthony Tobias Bradshaw ties to the paperweight that is sitting on his desk. Anthony Tobias Bradshaw then reaches into the waste-paper bin, takes hold of the pigeon, attaches the bulldog-clip to one of its legs, carries it to the centre of the room, sets the paperweight down on the floor, then lets go of the pigeon. The tethered bird flies about frantically, pulling on the weighted string, unable to escape. Anthony Tobias Bradshaw walks back to his desk, sits down, watches the bird for a while, nodding in satisfaction, then begins his usual daily tasks.

Anthony Tobias Bradshaw works through the day, pausing only at midday to eat a cheese and tomato sandwich that he bought, as usual, from the newsagents in the station that morning, then at 5:00 p.m. Anthony Tobias Bradshaw closes his briefcase, puts on his coat and leaves the office, ensuring before he does so that all of the windows are firmly shut.

 

At the station, as usual, Anthony Tobias Bradshaw buys the evening newspaper, then catches the 6:00 p.m. train. On the train, Anthony Tobias Bradshaw sits reading the evening newspaper, nodding or shaking his head at the various articles. The 6:00 p.m. train travels to its destination on time without incident.

‘Hello, Celia,’ Anthony Tobias Bradshaw calls as he enters his house.

Anthony Tobias Bradshaw closes the door behind him, sets down his briefcase, hangs up his coat and removes his shoes.

‘Hello, Celia,’ Anthony Tobias Bradshaw calls again.

Anthony Tobias Bradshaw’s wife always has a hot meal waiting for him when he arrives home. The meal always consists of meat, potatoes and three vegetables on a large, white, china plate with cutlery and condiments, positioned at the far end of the dining table. Anthony Tobias Bradshaw’s wife always eats before Anthony Tobias Bradshaw gets home because Anthony Tobias Bradshaw prefers to eat alone.

Anthony Tobias Bradshaw enters the dining room.

Instead of the usual one large, white, china plate at the end of the table, there are sixteen small, white, china plates covering the whole of the table. There is no cutlery, no condiments and each plate, instead of containing a hot meal, has in its centre a small pile of seeds.

Anthony Tobias Bradshaw shakes his head.

‘Celia!’ Anthony Tobias Bradshaw shouts. ‘What’s going on? Is this a joke?’

Anthony Tobias Bradshaw walks into the kitchen. His wife is not there. In the middle of the kitchen table is a large packet of birdseed.

‘Celia!’ Anthony Tobias Bradshaw shouts.

Anthony Tobias Bradshaw walks upstairs. His wife is nowhere to be seen. Anthony Tobias Bradshaw walks back downstairs, enters the living room and sits in his armchair, shaking his head again and again whilst waiting for his wife to appear. When the clock strikes midnight and his wife is still nowhere to be seen, Anthony Tobias Bradshaw walks back into the dining room, picks up the sixteen small plates, takes them into the kitchen, pours the birdseed into the bin and puts the plates away in the cupboard. Anthony Tobias Bradshaw then walks upstairs and goes to bed.

 

The next day, Anthony Tobias Bradshaw sits again on the 7:00 a.m. train and reads the morning newspaper, nodding or shaking his head at the various articles, then nodding his head with particular vigour when the train arrives at its destination without having made any erroneous stops.

Inside his office, Anthony Tobias Bradshaw nods in satisfaction at the tethered pigeon, then walks to his desk, removes his coat and hangs it on the back of his chair, sits down, opens his briefcase and begins the day’s tasks. As usual, Anthony Tobias Bradshaw works through the day, pausing only at midday to eat a cheese and tomato sandwich, then at 5:00 p.m. Anthony Tobias Bradshaw closes his briefcase, puts on his coat, leaves the office and walks to the station. There, he buys the evening newspaper, then catches the 6:00 p.m. train home.

Anthony Tobias Bradshaw closes the door to his house behind him, sets down his briefcase, hangs up his coat, removes his shoes, then calls:

‘Celia!’

There is no answer. Anthony Tobias Bradshaw enters the dining room. Sixteen small plates cover the dining table as before, each with a small pile of birdseed in its centre. Anthony Tobias Bradshaw shakes his head then picks up his briefcase and stomps upstairs.

In the bedroom, Anthony Tobias Bradshaw undresses in front of a full-length mirror. Anthony Tobias Bradshaw shakes his head at his naked reflection, then opens his briefcase and removes a bulldog-clip. Anthony Tobias Bradshaw attaches the clip to the end of his tongue. Anthony Tobias Bradshaw produces another clip from his briefcase and attaches it to the end of his nose. Anthony Tobias Bradshaw produces two more clips and attaches one to each of his ears. Anthony Tobias Bradshaw produces more clips, attaching one to each of his eyebrows, one to each of his nipples, one to the back of each of his hands, one to each of his thighs, one to each of his knees and one to the top of each of his feet.

Anthony Tobias Bradshaw then produces from his briefcase a pair of scissors and a ball of string from which he cuts sixteen lengths. Anthony Tobias Bradshaw attaches a length of string to each of the bulldog-clips that now adorn his body.

Anthony Tobias Bradshaw looks at his reflection and nods.

‘But how to harness them?’ Anthony Tobias Bradshaw says aloud.

Anthony Tobias Bradshaw searches his reflection, then finds the perfect solution. Anthony Tobias Bradshaw ties each of the loose ends of string to his penis. Anthony Tobias Bradshaw nods in satisfaction, then puts on his pyjamas and goes to bed.

 

In the morning, Anthony Tobias Bradshaw wakes at the usual time, washes, dresses, walks downstairs and puts on his shoes and coat, picks up his briefcase, then leaves his house and walks to the station. The bulldog-clips and strings mean that Anthony Tobias Bradshaw has to walk rather carefully but, other than slowing him down a little, Anthony Tobias Bradshaw does not find them too troublesome.

‘The usual, sir?’ asks the newsagent, deciding not to mention the entirely obvious pieces of stationery attached to Anthony Tobias Bradshaw’s face and the connected strings that disappear down into Anthony Tobias Bradshaw’s collar.

Anthony Tobias Bradshaw nods, then hands over the exact money for his copy of the morning newspaper and his cheese and tomato sandwich.

On the 7:00 a.m. train, only the young guard shows any sign of noticing Anthony Tobias Bradshaw’s peculiar adornments, and even then his only reaction is a brief expression of concerned shock, which is quickly and professionally replaced by a congenial and un-judgemental smile.

Anthony Tobias Bradshaw arrives at his office, nods at the tethered pigeon, walks to his desk, removes his coat and hangs it on the back of his chair, sits down, opens his briefcase and begins the day’s tasks. Anthony Tobias Bradshaw works until 5:00 p.m., pausing only at midday to eat (with some difficulty) his cheese and tomato sandwich, then Anthony Tobias Bradshaw leaves the office, walks to the station, buys the evening newspaper and catches the 6:00 p.m. train home.

 

In his house, Anthony Tobias Bradshaw enters the dining room, clears away the sixteen new plates of birdseed, sits in his armchair in the living room until midnight, then walks upstairs to bed.

In the bedroom, Anthony Tobias Bradshaw stands in front of the full-length mirror and undresses. Anthony Tobias Bradshaw nods in satisfaction at the fact that all of the clips and strings are still in place. Then Anthony Tobias Bradshaw turns around and gasps.

‘Celia!’ Anthony Tobias Bradshaw says.

Anthony Tobias Bradshaw’s wife is lying in the bed. She is wearing her multi-coloured shawl.

‘Turn the light out, dear,’ she says as if she has not been absent for the past two days and nothing is amiss.

Anthony Tobias Bradshaw stands and looks at his wife. He feels as if he has not seen her for longer than two days; he feels as if he has not really seen her for years. He is overwhelmed by her beauty, by the beauty of who she is, of who she really is, and Anthony Tobias Bradshaw experiences his first erection in twenty-five years accompanied by the noise of sixteen bulldog-clips snapping shut as they are all pulled at once from their various locations. The bedroom is filled with the sound of fluttering wings and that which used to call itself Anthony Tobias Bradshaw feels utterly fantastic.

 

© 2016 Mike Russell.

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Mike Russell is a Brighton based author and now has two short story anthologies published – Flock is from his second book Strange Medicine.

Short Story Saturday – The Werewolf Howls by Clifford Ball

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The Werewolf HowlsBY CLIFFORD BALLThe men who were waiting for that wolf had silver bullets in their muskets.
Twilight had come upon the slopes of die vineyards, and a gentle, caressing breeze drifted through the open casement to stir into further disorder the papers upon the desk where Monsieur Etienne Delacroix was diligently applying himself. He raised his leonine bead, the hair of which had in his later years turned to gray, and stared vacantly from beneath bushy brows at the formation of a wind-driven cloud as if he thought that the passive elements of the heavens could, if they so desired, aid him in some momentous decision.

There was a light but firm tap on the door which led to the hall of the château. Monsieur Delacroix blinked as his thoughts were dispersed and, in some haste, gathered various documents together and thrust them into the maw of a large envelope before bidding the knocker to enter.

Pierre, his eldest son, came quietly into the room. The father felt a touch of the pride he could never quite subdue when Pierre approached, for he had a great faith in his son’s probity, as well as an admiration for the straight carriage and clear eye he, at his own age, could no longer achieve. Of late he had been resting a great many matters pertaining to the management of the Château Doré and the business of its vineyards, which supported the estate, on the broad shoulders poised before him.

But Etienne Delacroix had been born in a strict household and his habits fashioned in a stern school, and was the lineal descendant of ancestors who had planted their peasant’s feet, reverently but independently, deep into the soil of France; so visible emotions were to him a betrayal of weakness. There was no trace of the deep regard he felt for his son evident when he addressed the younger man.

“Where are your brothers? Did I not ask you to return with them?”

“They are here, Father. I entered first, to be certain that you were ready to receive us.”

“Bid them enter.”

Jacques and François came in to stand with their elder brother and were careful to remain a few inches in his tear; he was the acknowledged spokesman. Their greetings were spoken simultaneously; Jacques’ voice breaking off on a high note which caused him obvious embarrassment, for he was adolescent. Together, thought Monsieur Delacroix, they represented three important steps in his life, three payments on account to posterity. He was glad his issue had all been males; since the early death of his wife he had neither cared for any woman nor taken interest in anything feminine.

“I have here, my son, some papers of importance,” he announced, addressing Pierre. “As you observe, I am placing them here where you may easily obtain them in the event of my absence.” Suiting the action to the word, he removed the bulky envelope to a drawer in the desk and turned its key, allowing the tiny piece of metal to remain in its lock. “I am growing older”—his fierce, challenging eyes swept the trio as if he dared a possible contradiction—”and it is best that you are aware of these accounts, which are relative to the business of the château,”

“He flung back his head—whimpering,”
“Non, non!” chorused all three. “You are as young as ever, papa!”

“Sacre blue! Do you name me a liar, my children? Attend, Pierre!”

“Yes, papa.”

“I have work for you this night.”

The elder son’s forehead wrinkled. “But the work, it is over. Our tasks are completed. The workers have been checked, the last cart is in the shed——”

“This is a special task, one which requires the utmost diligence of you all. It is of the wolf.”

“The werewolf!” exclaimed Jacques, crossing himself.
The other brothers remained silent, but mingled expressions of wonder and dislike passed across their features. Ever since the coming of the wolf the topic of its depredations had been an unwelcome one in the household of the Château Doré.

“Mon Dieu, Jacques!” exploded the head of the house. “Have you, too, been listening to the old wives’ tales? Must you be such an imbecile, and I your father? Rubbish! There can be no werewolves; has not the most excellent Father Cromecq flouted such stones ten thousand times? It is a common wolf; a large one, true, but nevertheless a common mongrel, a beast from the distant mountain. Of its ferocity we are unfortunately well aware; so it must be dispatched with the utmost alacrity.”

“But, the workers say, papa, that there have been no wolves in the fields for more than a hundred——”

“Peste! The ever verbose workers! The animal is patently a vagrant, a stray beast driven from the mountains by the lash of its hunger. And I, Etienne Delacroix, have pronounced that it must die!”

The father passed a heavy hand across his forehead, for he was weary from his unaccustomed labor over the accounts. His hands trembled slightly, the result of an old nervous disorder. The fingers were thick, and blunt from the hardy toil of earlier years; the blue veins were still corded from the strength which he had once possessed.

“It is well,” said Pierre in his own level tones. “Since the wolf came upon and destroyed poor little Marguerite D’Estourie, tearing her throat to shreds, and the gendarmes who almost cornered it were unable to slap it because they could not shoot straight, and it persists in——”

“It slashed the shoulder of old Gavroche who is so feeble he cannot walk without two canes!” interrupted François, excitedly.

“——ravaging our ewes,” concluded the single-minded Pierre, who was not to be side-tracked once he had chosen his way, whether in speech or action. “The damage to our flocks has been great, papa. It is just that we should take action, since the police have failed. I have thought this wolf strange, too, although I place no faith in demons. If it but seeks food, why must it slay so wantonly and feed so little? It is indeed like a great, gray demon in appearance. Twice have I viewed it, leaping across the meadows in the moonlight, its long, gray legs hurling it an unbelievable distance at every bound. And Marie Polydore, of the kitchens, found its tracks only yesterday at the very gates of the château!”

“I have been told,” revealed Jacques, flinging his hands about in adolescent earnestness, “that the wolf is the beast-soul of one who has been stricken by the moon-demons. By day he is as other men, but by night, though he has the qualities of a saint he cannot help himself. Perhaps he is one with whom we walk and talk, little guessing his dreadful affliction.”

“Silence!” roared Monsieur Delacroix. One of his clenched fists struck the desk a powerful blow and the sons were immediately quieted. “Must I listen to the ranting and raving and driveling of fools and imbeciles? Am I not still the master of the Château Doré? I will tend to the accursed matter as I have always, will I not? I have always seen to the welfare of the dwellers in the shadow of the Château Doré! And with the help of the good God I shall continue to do so, until the last drop of my blood has dried away from my bones. You comprehend?”

In a quieter tone, after the enforced silence, he continued: “I have given orders to both the foreman and Monsieur the mayor that this night, the night of the full moon by which we may detect the marauder, all the people of the vineyards and of the town beyond must remain behind locked windows and barred doors. If they have obeyed my orders—and may the good God look after those who have not—they are even now secure in the safety of their respective homes. Let me discover but one demented idiot peeking from behind his shutter and I promise you he shall have cause to remember his disobedience!”
Pierre nodded without speaking, knowing he was being instructed to punish a possible, but improbable, offender. “Now, we are four intelligent men, I trust,” said Monsieur Delacroix, pretending not to notice the glow of pleasure which suffused Jacques’ features at being included in their number. “We are the Delacroix’s, which is sufficient. And as leaders we must, from time to time, grant certain concessions to the inferior mentalities of the unfortunate who dwell in ignorance; so I have this day promised the good foremen, who petitioned me regarding the activities of this wolf, to perform certain things. They firmly believe the gray wolf is a demon, an inhuman atrocity visited upon us by the Evil One. And also, according to their ancient but childish witchlore, that it may only be destroyed by a silver weapon.”

Monsieur Delacroix reached beneath his chair and drew forth a small, but apparently heavy, sack. Upending it on the surface of the desk, he scattered in every direction a double dozen glittering cylindrical objects.

“Bullets!” exclaimed Jacques.

“Silver bullets!” amended Pierre.

“Yes, my son. Bullets of silver which I molded myself in the cellars, and which I have shown to the men, with the promise that they will be put to use.”

“Expensive weapons,” commented the thrifty François.

“It is the poor peasant’s belief. If we slew tills wolf with mere lead or iron they would still be frightened of their own shadows and consequently worthless at their work, as they have been for the past month. Here are the guns. Tonight you will go forth, my sons, and slay this fabulous werewolf, and cast its carcass upon the cart-load of dry wood I have had piled by the vineyard road, and burn it until there is nothing left but the ash, for all to see and know.”

“Yes, papa,” Assented Pierre and François as one, but the boy Jacques cried: “What? So fine a skin? I would like it for the wall of my room! These who have seen the wolf say its pelt is like silver shaded into gray ”

“Jacques!”‘ Etienne Delacroix’s anger flooded his face with a great surge of red and bulging veins, and Pierre and François were stricken with awe at the sight of their father’s wrath.

“If you do not burn this beast as I say, immediately after slaying it, I will forget you are my son, and almost a man! I will ”

His own temper choked him into incoherency.

“I crave your pardon, father,” begged Jacques, humbled and alarmed. “I forgot myself.”

“We will obey, papa, as always,” said François, quickly, and Pierre gravely nodded.

“The moon will soon be up,” said Monsieur Delacroix, after a short silence. The room had grown dark while they talked; receiving a wordless signal from his father, Pierre struck a match and lit the blackened lamp on the desk. With the startling transition, as light leaped forth to dispel the murky shadows of the room, Pierre came near to exclaiming aloud at sight of the haggard lines in his father’s face. For the first time in his life he realized that what his parent had said earlier in the evening about aging was not spoken jocularly, not the repeated jest Monsieur Delacroix had always allowed himself, but the truth. His father was old.

“You had better go,” said Etienne Delacroix, as his keen eyes caught the fleeting expression on his son’s face. His fingers drummed a muffled tattoo upon the fine edge of his desk, the only sign of his nervous condition that he could not entirely control. “Monsieur the Mayor’s opinion is that the wolf is stronger when the moon is full. But it is mine that tonight it will be easier to discover.”
The three turned to the door, but as they reached the threshold Monsieur Delacroix beckoned to the eldest. “An instant, Pierre. I speak to you alone.”

The young man closed the door on his brothers’ backs and returned to the desk, his steady eyes directed at his father.

Monsieur Delacroix, for the moment, seemed to have forgotten what he intended to say. His head was bowed on his chest and the long locks of his ashen hair had fallen forward over his brow. Suddenly he sat erect, as if it took an immense effort of his will to perform the simple action, and again Pierre was startled to perceive the emotions which twisted his father’s features.

It was the first time he had ever seen tenderness there, or beheld love in the eyes he had sometimes, in secret, thought a little cruel.

“Have you a pocket crucifix, my son?”

“In my room.”

“Take it with you tonight. And—you will stay close to Jacques, will you not?” His voice was hoarse with unaccustomed anxiety. “He is young, confident, and—careless. I would not wish to endanger your good mother’s last child.”

Pierre was amazed. It had been fifteen years since he had last heard his father mention his mother.

“You have been a good son, Pierre. Obey me now. Do not let the three of you separate, for I hear this beast is a savage one and unafraid even of armed men. Take care of yourself, and see to your brothers.”

“Will you remain in the château for safety, papa? You are not armed.”

“I am armed by my faith in the good God and the walls of Château Doré. When you have lit the fire under the wolf’s body—I will be there.”

He lowered the leonine head once more, and Pierre, not without another curious look, departed.

For a long while Monsieur Delacroix sat immobile, his elbows resting on the padded arras of the chair, the palms of his hands pressing into his cheeks. Then he abruptly arose and, approaching the open casement, drew the curtains wide. Outside, the long, rolling slopes fell away toward a dim horizon already blanketed by the dragons of night, whose tiny, flickering eyes were winking into view one by one in the dark void above. Hurrying cloudlets scurried in little groups across the sky.

Lamps were being lit in the jumble of cottages that were the abodes of Monsieur Delacroix’s workmen, but at the moment the sky was illuminated better than the earth; for the gathering darkness seemed to ding like an animate thing to the fields and meadows, and stretch ebony claws across the ribbon of the roadway.

It was time for the moon to rise.

Monsieur Delacroix turned away from the casement and with swift, certain steps went to the door, opening it. The hall was still, but from the direction of the dining room there came a clatter of dishes as the servants cleared the table. Quickly, with an unusual alacrity for a man of his years, he silently traversed the floor of the huge hall and passed through its outer portals. A narrow gravel lane led him along the side of the château until he reached the building’s extreme corner, where he abandoned it to strike off across the closely clipped sward in the direction of a small clump of beech trees.

The night was warm and peaceful, with no threat of rain. A teasing zephyr tugged at the thick locks on his uncovered head; from somewhere near his feet came the chirp of a cricket.

In the grove it was darker until he came to its center, wending through and past the entangled thickets like one who had traveled the same path many times, and found the small glade that opened beneath the stars. Here there was more light again but no breeze at all. In the center of the glade was an oblong, grassy mound, and at one end of it a white stone, and on the stone the name of his wife.
Monsieur Delacroix stood for an instant beside the grave with lowered head, and then he sank to his knees and began to pray.

In the east the sky began to brighten as though some torch-bearing giant drew near, walking with great strides beyond the edge of the earth. The stars struggled feebly against the superior illumination, but their strength diminished as a narrow band of encroaching yellow fire appeared on the rim of the world.

With its arrival the low monotone of prayer was checked, to continue afterward with what seemed to be some difficulty. Monsieur Delacroix’s throat was choked, either with grief for the unchangeable past or an indefinable apprehension for the inevitable future. His breath came in struggling gasps and tiny beads of perspiration formed on his face and hands. His prayers became mumbled, jerky utterances, holding no recognizable phrases of speech. Whispers, and they ceased altogether.

A small dark cloud danced across a far-off mountain-top, slid furtively over the border of the land, and for a minute erased the yellow gleam from the horizon. Then, as if in terror, shaken by its own temerity, it fled frantically into oblivion, and the great golden platter of the full moon issued from behind the darkness it had left to deluge the landscape with a ceaseless shower of illusive atoms; tiny motes that danced the pathways of space.

Monsieur Delacroix gave a low cry like a child in pain. His agonized eyes were fixed on the backs of his two hands as he held them pressed against the dew-dampened sward. His fingers had begun to stiffen and curl at their tips; he could see the long, coarse hairs sprouting from the pores of his flesh — as he had many times within the past month since the night he had fallen asleep by the grave of his wife and slept throughout the night under the baleful beams of the moon.

He flung back his head, whimpering because of the terrible pressure he could feel upon his skull, and its shape appeared to alter so that it seemed curiously elongated. His eyes were bloodshot, and as they sank into their sockets his lips began to twitch over the fangs in his mouth.

The three brothers, crouching nervously in the shadows of the vineyards, started violently.

Jacques, the younger, almost lost his grasp on the gun with the silver bullets which his father had given him.

From somewhere nearby there had arisen a great volume of sound, swirling and twisting and climbing to shatter itself into a hundred echoes against the vault of the heavens, rushing and dipping and sinking into the cores of all living hearts and the very souls of men—the hunting-cry of the werewolf.

Montague Rhodes James

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Ghost Stories of an Antiquary with More Ghost Stories of an Antiquary. Two Volumes in One.

Montague Rhodes James by Sir Gerald Kelly oil on canvas, circa 1936

M.R. James (b. 1862) is perhaps one of the most understated writers of odd ghost stories of all time. Many of his stories take place at Oxbridge and other places with a very English feel, reflecting the life of the author himself. James also catalogued medieval manuscripts (see below), for which he was well-respected during his lifetime.

I’ve collected some excellent articles and put them together here – I hope you enjoy them!

Montague Rhodes James was born in 1862 in Goodnestone Parsonage, Kent, where his father was the curate, and died in 1936. He developed a taste for old books from a precocious age and was fonder of reading dusty volumes in the library than playing with the other children. He studied at Eton and then at King’s College, Cambridge, where he became assistant in Classical archaeology at the Fitzwilliam museum…He was elected a Fellow of King’s after writing his dissertation The Apocalypse of St. Peter, and after that, he lectured in divinity, eventually becoming dean of the college in 1889. He was a distinguished medievalist and wrote a large amount of reviews, translations, monographs, articles and works on bibliography, palaeography, antiquarian issues, and often edited volumes for specialized bibliographical and historical societies. He was a brilliant linguist and biblical scholar, and he was exceptionally gifted, which, along with his unusually keen memory and hard work, enabled him to write many pioneering studies. – Walk Awhile 

mrj-books

James’s incredible detail finds a balance in those ambiguous ghouls to which the reader is invited to apply their own dreadful colour. Many of M.R. James’s ghost stories were written to be read aloud as Christmas Eve entertainment to select gatherings of friends at Cambridge. They were subsequently published as: Ghost Stories of an Antiquary, More Ghost Stories of an Antiquary, A Thin Ghost and Others, and A Warning to the Curious. – A Thin Ghost

Sacha Dhawan plays Garrett in Gatiss's adaptation of The Tractate Middoth
Sacha Dhawan plays Garrett in Gatiss’s adaptation of The Tractate Middoth

Earlier this year, I published a post about one of my favourite James stories, The Mezzotint; a classic story of a picture of a house which has within it the souls of the once living! It reminds me of the story of the girl who gets trapped in a painting, grows old and dies in Roald Dahl’s The Witches. That’s always been my favourite part of the book (and wonderful film).

Spooky: an illustration for MR James's 'O Whistle and I'll Come to You, My Lad' by Jonathan Barry Photo: Bridgeman Art
Spooky: an illustration for MR James’s ‘O Whistle and I’ll Come to You, My Lad’ by Jonathan Barry Photo: Bridgeman Art

It is no coincidence that Charles Dickens’ A Christmas Carol features more ghosts than carols, or that the 1963 Andy Williams song It’s The Most Wonderful Time of the Year promises “scary ghost stories”. Christmas was once the time for sharing tales of the spooks we now usually associate with Halloween. Our traditional festive celebrations owe much to the Victorians’ plundering of pagan symbolism – whether the still-fertile appearance of evergreens and holly, the bearded god Odin’s habit of climbing down chimneys, or spectres at the fireside. As the Winter Solstice approached and daylight died away, the ancients thought that the barrier between the living and the dead became slender, so supernatural tales abounded. (James) became a noted medieval scholar before returning to Eton to serve as Provost. He was a devout Anglican, and a profoundly conservative individual, much as one might expect of a man who went from parsonage to school, university then back to school. – BBC Arts

candla1

Something feels right about pushing things off kilter, beside a warm fire, for the safe thrill of having your flesh creep. James wanted his creatures to be ghastly. I think he’d have had no truck with sad, longing ghosts yet to be released to heaven. There is something implacably horrible about his monsters, with their black matted hair, teeth and nails. The recent trend for more human vampires is an interesting one, but for me it’s exciting enough that they just want to drink your blood and watch you die for the fun of it. – Mark Gatiss

Montague Rhodes James. 1862-1936
Montague Rhodes James. 1862-1936

Every year I’m drawn back to Montague Rhodes James – his quietly creepy prose hints so effectively at what lurks just beyond the light of the hearth. A fellow whom I have never met but whose work continues to exert a heavy influence upon me. – The Guardian

Every reader of M R James’s peerlessly unpleasant ghost stories will have his or her favourite moment of that paradoxical, delighted, wriggling horror that their author sought to instil. For some, it is the scene in “O Whistle, and I’ll Come to You, My Lad” (1904), in which a sceptical don on a golfing holiday is stalked through his dreams by a blind, shuffling figure in white that eventually rises from the spare bed in his room and thrusts into his face “a horrible, an intensely horrible face of crumpled linen”. For others, it is the episode in “The Diary of Mr Poynter” (1919), where the protagonist rests his hand absently on what he takes to be the head of his pet spaniel and finds that “what he had been touching” — not the dog, but a man-shaped figure on all fours covered with hair — “rose to meet him”. And perhaps the most intimate of these shivers comes in “Casting the Runes” (1911), in which the unlucky protagonist, woken in the night, reaches under his pillow for his watch, only for his questing hand to encounter “a mouth, with teeth, and with hair about it, and, he declares, not the mouth of a human being”. That readers in the iPad age should still be so horrified by these tales of haunted Edwardian bibliophiles, antebellum Oxbridge dons and ghoulish local revenants would doubtless have come as a surprise to their author… His ghost stories were designed as pleasant trifles, and mostly composed at lightning speed on Christmas evenings between 1892 and 1935 for a coterie of colleagues, friends and choirboys at King’s. Their author quoted with approval the comment of the fat boy in The Pickwick Papers, who ghoulishly advertised that “I wants to make your flesh creep.” Although they share densely imagined roots in local and national history and geography, the stories did not, as James wrote in the introduction to his first collection, “make any very exalted claim. If any of them succeed in causing their readers to feel pleasantly uncomfortable while walking along a solitary road at nightfall, or sitting over a dying fire in the small hours, my purpose in writing them will have been attained.” – The Telegraph

I hope you have a supernatural festive period, full of shrieks of laughter and terror!

Short Story Saturday – Dunce

dunce a short story from mike russell's book nothing is strange
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This week’s short story is Mike Russell’s Dunce. I hope you enjoy it 🙂

Dunce (taken from Nothing Is Strange)

Everyone calls Dunce ‘Dunce’. Everyone thinks that Dunce is an idiot. I used to think so too but not any more.

Dunce is completely bald and has a really pointed head so the temptation to get him paralytic on his thirtieth birthday, carry him to the tattooist’s and get a nice big ‘D’ smack bang in the middle of his forehead was too much for me. Trouble is he can’t afford to have it removed so he wears a big plaster over it. Gangs of children tease him.

‘What’s underneath the plaster, mister? Show us!’

They swear he has a third eye under there.

My name is Bill but Dunce calls me ‘Fez’ on account of my hat. I’ve known Dunce for over sixteen years. I don’t have to use my memory to work that out; I just count the number of boxes of Turkish Delight I’ve got stashed in my cupboard. Dunce buys me a box every birthday. Dunce thinks that because I wear a fez I must be Turkish (I’m not) and that being Turkish I must like that powder-covered gunk (I don’t, I hate the stuff).

On my last birthday, after saying:

‘No, Dunce, I’ll eat it later,’ and stashing box number sixteen in the cupboard, I decided to take Dunce to the theatre. He’d never been before.

The play was called ‘Death in the Dark’. We had front row seats. Dunce was captivated. He stared at the actors with a gaping mouth.

The lights dimmed to darkness. Kitty Malone, the beautiful star of the show, was stood centre stage. A shot was heard. Dunce jumped right out of his seat.

‘What was that?’ he said.

The lights came back on and Kitty was lying in a pool of blood. Dunce let out a scream then shouted:

‘Someone call for an ambulance! And the police!’

The audience thought that Dunce was an actor, that the play was being cleverly extended beyond the stage, questioning the boundaries of theatre.

‘What’s wrong with you?’ Dunce shouted at the audience. ‘How can you carry on as if nothing has happened?’

‘This is wonderful, just wonderful,’ I heard someone say behind me.

Kitty was stoically sticking to her role, thinking that the show must go on, but Dunce was clambering up onto the stage, crying, stroking Kitty’s hair and checking her pulse.

‘She’s alive!’ he shouted with relief.

‘No I’m not!’ Kitty hissed at him through clenched teeth.

That was it; I was in hysterics. What a birthday treat this was turning out to be.

‘I’m acting. It’s part of the play. No one really shot me,’ Kitty hissed at Dunce.

The realisation was excruciatingly slow. I watched Dunce’s face change from shock to confusion to understanding to embarrassment. He made his way back to his seat. He didn’t speak or look at me until the play was over. The play got a standing ovation and we headed for the bar.

Kitty was in the bar too. She smiled at Dunce who blushed. She seemed to be fascinated by the top of his head. She walked over and invited him to her dressing room.

Twelve hours later and Dunce was in love! How about that? And what’s more, Kitty was in love too! And not only that but they were in love with each other! Kitty fell for Dunce. Not ‘fell for’ as in ‘was deceived by’ because there’s no deception where Dunce is concerned, he can’t do it, but she fell from her deceptions towards him. I couldn’t believe it.

‘It won’t last,’ I said to Dunce. ‘Enjoy it while you can but face facts: you are Dunce and she is Kitty Malone. Think about it.’

Dunce told me that Kitty had a thing about ice cream cones, a fetish you could say. She ate six a day. She liked to bite off the tip of the cone and suck out all the ice cream. She had a recording of ice cream van music that she played whilst they were having sex. She was forever stroking the top of Dunce’s head.

Then came the day. Dunce came round looking really worried.

‘Fez, have you seen Kitty? Do you know where she is?’

‘No, I haven’t seen her. Why? What’s the problem?’

‘I had a dream last night,’ Dunce said. ‘I dreamt that I was in bed and I looked at the calendar by the side of my bed and it was tonight. I put out my hand to touch Kitty but she wasn’t there. There was just this cold sludge covering her side of the bed and this smell: vanilla. It was melted ice cream.’

‘So what’s the problem?’

‘I think that something is going to happen to Kitty. I have to find her before tonight. I don’t want to wake up tomorrow morning alone in a bed full of melted ice cream.’

‘Dunce, dreams don’t mean anything and prophecies are impossible. Sit yourself down. Let’s have a couple of beers.’

I opened a cupboard, reached in to get the beers and a pile of boxes of Turkish Delight toppled over and fell out, breaking open and spilling their contents all over the floor. Dunce looked at the boxes then looked at me. I watched his face go through the same slow transformation from shock to confusion to understanding to embarrassment that I had witnessed so many times before.

‘You don’t like Turkish Delight?’ he said.

I said nothing and guiltily handed him a beer.

Dunce sighed then said:

‘So why did I have that dream?’

‘No reason at all,’ I said.

We sat in silence for a while then Dunce suddenly stood up.

‘It’s no good, Fez, I have to find her.’

Dunce found Kitty in the centre of town, lying on the pavement in a pool of blood. An ambulance and the police were on their way. An ice cream vendor was crying and yelling:

‘I don’t understand! I don’t understand!’

A huge, plastic ice cream cone was protruding from Kitty’s chest. It had fallen from on top of the ice cream shop for no apparent reason, smashed through her rib cage and crushed her heart.

Dunce cried. Then he cried some more. The next day, he cried and the day after that he cried. Three weeks later, he awoke, dressed, ate some breakfast, then cried. The next day, he came round to see me. He was crying.

‘Hello Dunce,’ I said. ‘Do you want a beer?’

‘What’s wrong with you?’ he said. ‘How can you carry on as if nothing has happened?’

‘It was an accident, Dunce,’ I said angrily, ‘a random occurrence. These things happen. You just have to get on with life. Why are you so stupid?’

I regretted saying it as soon as I heard it come out of my mouth. Dunce stared at me with tears in his eyes.

‘A fez is only a severed cone,’ Dunce said. ‘At least I have a point.’

I took off my hat and looked at it sullenly. Dunce had a point that he had a point. If he’d found Kitty a moment earlier… if I hadn’t delayed him with my arrogance, my cynicism…

‘Fez,’ Dunce said, ‘you remember the tears that I cried in the theatre when I thought that Kitty was dead but she wasn’t? I think that the tears I am crying now are the same as those. I didn’t understand what was going on in the theatre and I didn’t understand what was going on when the cone fell on her. I think that maybe we only cry because we don’t understand what is going on. Maybe if we understood what is really going on we wouldn’t cry at all, ever.’

Dunce smiled through his tears and beneath the plaster on his forehead I swear I saw something move.

 

Mike Russell

8 Superstar Quotes from Marilyn Manson

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If people really stopped and realized how much art and creative people move the world versus politics and religion, I mean it’s not even up for debate. An artist at least creates things, puts things into the world. Where as these other people are destroying things, taking things out of the world. – Interview on The Henry Rollins Show

… I don’t expect everyone to get something deep out of it. Some people can just listen to the music, or get their aggressions out, but I think with any great painting or movie, album or whatever it is, it’s better if people can take what they need from it. That they’re not forced to get some particular message. – As quoted in “Headbanger’s Ball” (10 December 1996), MTV Europe.

If they think that an artist can destroy their faith, then their faith is rather fragile. – As quoted in BBC News (23 August 2005)

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The two by-products of that whole tragedy were violence in entertainment and gun control. And how perfect that that was the two things that we were going to talk about with the upcoming election. And also, then we forgot about Monica Lewinsky and we forgot about the President was shooting bombs overseas – yet I’m a bad guy because I sing some rock-and-roll songs – and who’s a bigger influence, the President or Marilyn Manson? I’d like to think me, but I’m going to go with the President. – Bowling for Columbine (2002)

When I was growing up, music was the only escape. If you put on a record, its not gonna yell at you about the way you dress, its gonna make you feel better about it. – Bowling for Columbine (2002)

Michael Moore: If you were to talk directly to the kids at Columbine or the people in that community, what would you say to them if they were here right now?

Marilyn Manson: I wouldn’t say a single word to them. I would listen to what they have to say, and that’s what no one did. – Bowling for Columbine (2002)

I’m drawn to things that scare me. I want to confront them. Death, the Devil, illness, disease, unhappiness – I’ll take them all. (1997)

When I was seven or eight, I was playing with my Scooby-Doo and Daphne toys, and had a strange feeling. It was my first sexual arousal. Now I feel that all girls with red hair are of the devil. (2009)