Visual art

Ethel Le Rossignol – Psychic Artist

13288621593_8fa5e0b8ea_qConsummation – Ethel Le Rossignol

Ethel Le Rossignol was a psychic artist who channelled beautiful paintings and drawings from the spirit world. I was lucky enough to see a rare exhibition of her paintings at the Horse Hospital in London.

Many of her paintings are on permanent display at the College of Psychic Studies in London. Each painting is a rich rainbow of floating figures adorned with thick golden paint.

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From 22 February to 22 March 2014, The Horse Hospital in London, situated a hoof beat from Russell Square tube, showed a number of paintings by the medium Ethel le Rossignol.  Possessing mediumistic abilities, she created forty-four paintings between 1920 and 1933 which depicted her interpretation of the world of Spirit.  Twenty-one of these painting belong to the College of Psychic Studies (CPS) and were loaned for the exhibition, which was mounted in association with Mark Pilkington’s Strange Attractor. The exhibition was called A Goodly Company: Ethel le Rossignol, and the accompanying leaflet was subtitled ‘A series of psychic drawings given through her hand as an assurance of survival after death.’  The words were taken from her book the full, very full, title of which is A Goodly Company: A Series of Psychic Drawings Given through the Hand of Ethel le Rossignol as an Assurance of Survival After Death this Sequence of Designs is Shown to Open the Eyes of All Men to the Glorious World of Spiritual Power Which Lies About Them.  A Goodly Company was published in 1933 by The Chiswick Press, and a copy was on display at the exhibition. (1) Le Rossignol does not seem to have had much of a profile while she was alive; details of her life are sketchy, and those here are lifted from the exhibition leaflet… She died in London in 1970, aged 96. Her pictures were designed to represent a ‘story’ of spiritual evolution, as indicated in the book’s conclusion: To those who have followed the story of these pictures to this final page it can only be repeated that they were given as a joyful reassurance of the spiritual spheres, showing the archangels, the angels and the different creations – lower and higher – as man has slowly evolved through animal to man, from man to spirit, from spirit to angel and from angel to participator in the unveiled purpose of God. The pictures certainly are joyful, and while access to their meaning might be restricted to adepts of some kind, even those among us who are unenlightened can obtain a great deal of pleasure from these remarkable images. – Tom Ruffles

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