This week’s painting is John Cage’s 11 Stones.
I have nothing to say and I am saying it, and that is poetry as I need it. – John Cage
You mustn’t become hypnotised by intellectual categories, continuous-discontinuous, stable-unstable, etc., which supposedly make it possible to think time.
People always think that there is something to understand. They imagine that the composer really had something in mind.
Above: John Cage, 33 1/3, 1969. Installation view at daadgalerie Berlin, 1988–89. Courtesy of the John Cage Trust. Photo: Werner Zellien, © Archiv Broken Music, Werner Zellien
I keep my mind alive and alert, or at least I try to. As a result, everything dissonant, I hear as consonant. [I hear not only the number two, but also the plurality of the number one.]
That is why I try to make my music resemble my life. May it be free and without goal! That is, without object.
That is, since Tao, the ultimate term, is nothing or Nothingness, we could also conclude that we shouldn’t become mesmerised by the difference and that there is no ultimate term. Thus, no system.
That’s exactly it. Impose nothing. Live and let live. Permit each person, as well as each sound, to be the centre of creation.
Yes, ‘experimental’ – meaning what happens before one has had the time to measure it.
Each person, I repeat, is free to experience his own emotions. But they are no more important than ordering chicken! That means that you can’t dwell on them, you must learn how to detach yourself from them.
I have always been very fond of working in a team. It is a way of working which conforms to chance’s way of necessarily liquidating the habits of the ego.
While in the case of the ashtray, we are indeed dealing with an object. It would be extremely interesting to place it in a little anechoic chamber and to listen to it through a suitable sound system.
Chance, as I use it, is not something that I must control, nor that must control me. It is not the chance of the physicist. But that does not mean the physicist’s chance shouldn’t exist.
But the contrast between the freedom of sounds and the non-freedom of the dancers should give them the idea that a ballet is an encounter, a collision, and not just a unison.
John Cage is my favourite artist (along with Louise Bourgeois). Although he’s perhaps most well-known for his music and writing, he also created some fantastic visual art. Here are my top 10. Enjoy!
- Images 1 & 2 taken from here.
- Above: John Cage, Dereau #3, 1982. One from 38 related colour etchings with aquatint, engraving, photo-etching and drypoint. 181⁄2 x 241⁄2 in. Published by Crown Point Press. Taken from here.
- Above: “New River Watercolor,” Series II, #2, 1988. Watercolour on paper. Courtesy College for Creative Studies’ Center Galleries. Taken from here.
- Images 5 & 6 found here.
- Above: John Cage Ryoanji 17 February 1988 -pencil on Japanese handmade paper. Taken from here.
- Above: New River Watercolors (Series I, #5), 1988, watercolor on paper, 18 x 36 inches. Found here.
- Above: “Eninka,” #20/50, 1986. Smoked paper and branded print on Gampi paper chine colle. Courtesy College for Creative Studies’ Center Galleries.
This week’s doodle comes from Feminist Surrealist (not officially either) Louise Bourgeois (1911-2010). Probably most well-known for her cells (below) and giant spiders, Bourgeois’ sketches always hit me the hardest.
Above: Sculpture by Bourgeois in theDomestic Incidents group exhibit at London’s Tate Modern Turbine Hall, 2006
I think I’m ready to say that she’s my favourite artist now. Or at least that she ties with John Cage. Yes, I don’t think they’d mind sharing. They’re both so inspirational.
|Born||Louise Josephine Bourgeois
25 December 1911
|Died||31 May 2010 (aged 98)
Manhattan, New York City, U.S.
Her mother’s death inspired her to abandon mathematics and to begin studying art. Her father thought modern artists were wastrels and refused to support her. – Good old Wikipedia
This week’s film is John Cage‘s I Have Nothing to Say and I Am Saying It.