The Thursday Album – Antichrist Superstar – Marilyn Manson

This week’s album is Marilyn Manson’s Antichrist Superstar. I hope you enjoy the memory jolt!

Antichrist Superstar is the second studio album by American rock band Marilyn Manson, released on October 8, 1996 by Nothing and Interscope Records.

Producers: Sean Beavan, Marilyn Manson, Dave OgilvieTrent Reznor

Marilyn Manson

Marilyn Manson

Manson’s new album Heaven Upside Down is expected later this year.

I’m a little over-anxious to release it, so it was done very quickly, but it’s by far the most thematic and over-complicated thing that I’ve done. In a way, it’s deceptively delightful to strangers. It’s like the old saying that the devil’s greatest secret is that people don’t believe he exists. – Marilyn Manson

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#1996, #american, #antichristsuperstar, #heavenupsidedown, #manson, #marilynmanson, #seanbeavan, #vevo

Short Story Saturday – The Hall of Fantasy

This week’s short story is Nathaniel Hawthorne’s The Hall of Fantasy.

 

Nathaniel Hawthorne

THE HALL OF FANTASY

 

It has happened to me, on various occasions, to find myself in a certain edifice which would appear to have some of the characteristics of a public exchange. Its interior is a spacious hall, with a pavement of white marble. Overhead is a lofty dome, supported by long rows of pillars of fantastic architecture, the idea of which was probably taken from the Moorish ruins of the Alhambra, or perhaps from some enchanted edifice in the Arabian tales. The windows of this hall have a breadth and grandeur of design and an elaborateness of workmanship that have nowhere been equalled, except in the Gothic cathedrals of the Old World. Like their prototypes, too, they admit the light of heaven only through stained and pictured glass, thus filling the hall with many-colored radiance and painting its marble floor with beautiful or grotesque designs; so that its inmates breathe, as it were, a visionary atmosphere, and tread upon the fantasies of poetic minds. These peculiarities, combining a wilder mixture of styles than even an American architect usually recognizes as allowable,—Grecian, Gothic, Oriental, and nondescript,—cause the whole edifice to give the impression of a dream, which might be dissipated and shattered to fragments by merely stamping the foot upon the pavement. Yet, with such modifications and repairs as successive ages demand, the Hall of Fantasy is likely to endure longer than the most substantial structure that ever cumbered the earth.

It is not at all times that one can gain admittance into this edifice, although most persons enter it at some period or other of their lives; if not in their waking moments, then by the universal passport of a dream. At my last visit I wandered thither unawares while my mind was busy with an idle tale, and was startled by the throng of people who seemed suddenly to rise up around me.

“Bless me! Where am I?” cried I, with but a dim recognition of the place.

“You are in a spot,” said a friend who chanced to be near at hand, “which occupies in the world of fancy the same position which the Bourse, the Rialto, and the Exchange do in the commercial world. All who have affairs in that mystic region, which lies above, below, or beyond the actual, may here meet and talk over the business of their dreams.”

“It is a noble hall,” observed I.

“Yes,” he replied. “Yet we see but a small portion of the edifice. In its upper stories are said to be apartments where the inhabitants of earth may hold converse with those of the moon; and beneath our feet are gloomy cells, which communicate with the infernal regions, and where monsters and chimeras are kept in confinement and fed with all unwholesomeness.”

In niches and on pedestals around about the hall stood the statues or busts of men who in every age have been rulers and demigods in the realms of imagination and its kindred regions. The grand old countenance of Homer; the shrunken and decrepit form but vivid face of AEsop; the dark presence of Dante; the wild Ariosto; Rabelais’s smile of deep-wrought mirth, the profound, pathetic humor of Cervantes; the all-glorious Shakespeare; Spenser, meet guest for an allegoric structure; the severe divinity of Milton; and Bunyan, moulded of homeliest clay, but instinct with celestial fire,—were those that chiefly attracted my eye. Fielding, Richardson, and Scott occupied conspicuous pedestals. In an obscure and shadowy niche was deposited the bust of our countryman, the author of Arthur Mervyn.

“Besides these indestructible memorials of real genius,” remarked my companion, “each century has erected statues of its own ephemeral favorites in wood.”

“I observe a few crumbling relics of such,” said I. “But ever and anon, I suppose, Oblivion comes with her huge broom and sweeps them all from the marble floor. But such will never be the fate of this fine statue of Goethe.”

“Nor of that next to it,—Emanuel Swedenborg,” said he. “Were ever two men of transcendent imagination more unlike?”

In the centre of the hall springs an ornamental fountain, the water of which continually throws itself into new shapes and snatches the most diversified lines from the stained atmosphere around. It is impossible to conceive what a strange vivacity is imparted to the scene by the magic dance of this fountain, with its endless transformations, in which the imaginative beholder may discern what form he will. The water is supposed by some to flow from the same source as the Castalian spring, and is extolled by others as uniting the virtues of the Fountain of Youth with those of many other enchanted wells long celebrated in tale and song. Having never tasted it, I can bear no testimony to its quality.

“Did you ever drink this water?” I inquired of my friend.

“A few sips now and then,” answered he. “But there are men here who make it their constant beverage,—or, at least, have the credit of doing so. In some instances it is known to have intoxicating qualities.”

“Pray let us look at these water-drinkers,” said I.

So we passed among the fantastic pillars till we came to a spot where a number of persons were clustered together in the light of one of the great stained windows, which seemed to glorify the whole group as well as the marble that they trod on. Most of them were men of broad foreheads, meditative countenances, and thoughtful, inward eyes; yet it required but a trifle to summon up mirth, peeping out from the very midst of grave and lofty musings. Some strode about, or leaned against the pillars of the hall, alone and in silence; their faces wore a rapt expression, as if sweet music were in the air around them, or as if their inmost souls were about to float away in song. One or two, perhaps, stole a glance at the bystanders, to watch if their poetic absorption were observed. Others stood talking in groups, with a liveliness of expression, a ready smile, and a light, intellectual laughter, which showed how rapidly the shafts of wit were glancing to and fro among them.

A few held higher converse, which caused their calm and melancholy souls to beam moonlight from their eyes. As I lingered near them,—for I felt an inward attraction towards these men, as if the sympathy of feeling, if not of genius, had united me to their order,—my friend mentioned several of their names. The world has likewise heard those names; with some it has been familiar for years; and others are daily making their way deeper into the universal heart.

“Thank Heaven,” observed I to my companion, as we passed to another part of the hall, “we have done with this techy, wayward, shy, proud unreasonable set of laurel-gatherers. I love them in their works, but have little desire to meet them elsewhere.”

“You have adopted all old prejudice, I see,” replied my friend, who was familiar with most of these worthies, being himself a student of poetry, and not without the poetic flame. “But, so far as my experience goes, men of genius are fairly gifted with the social qualities; and in this age there appears to be a fellow-feeling among them which had not heretofore been developed. As men, they ask nothing better than to be on equal terms with their fellow-men; and as authors, they have thrown aside their proverbial jealousy, and acknowledge a generous brotherhood.”

“The world does not think so,” answered I. “An author is received in general society pretty much as we honest citizens are in the Hall of Fantasy. We gaze at him as if he had no business among us, and question whether he is fit for any of our pursuits.”

“Then it is a very foolish question,” said he. “Now, here are a class of men whom we may daily meet on ‘Change. Yet what poet in the hall is more a fool of fancy than the sagest of them?”

He pointed to a number of persons, who, manifest as the fact was, would have deemed it an insult to be told that they stood in the Hall of Fantasy. Their visages were traced into wrinkles and furrows, each of which seemed the record of some actual experience in life. Their eyes had the shrewd, calculating glance which detects so quickly and so surely all that it concerns a man of business to know about the characters and purposes of his fellow-men. Judging them as they stood, they might be honored and trusted members of the Chamber of Commerce, who had found the genuine secret of wealth and whose sagacity gave them the command of fortune.

There was a character of detail and matter of fact in their talk which concealed the extravagance of its purport, insomuch that the wildest schemes had the aspect of everyday realities. Thus the listener was not startled at the idea of cities to be built, as if by magic, in the heart of pathless forests; and of streets to be laid out where now the sea was tossing; and of mighty rivers to be stayed in their courses in order to turn the machinery of a cotton-mill. It was only by an effort, and scarcely then, that the mind convinced itself that such speculations were as much matter of fantasy as the old dream of Eldorado, or as Mammon’s Cave, or any other vision of gold ever conjured up by the imagination of needy poet or romantic adventurer.

“Upon my word,” said I, “it is dangerous to listen to such dreamers as these. Their madness is contagious.”

“Yes,” said my friend, “because they mistake the Hall of Fantasy for actual brick and mortar, and its purple atmosphere for unsophisticated sunshine. But the poet knows his whereabout, and therefore is less likely to make a fool of himself in real life.”

“Here again,” observed I, as we advanced a little farther, “we see another order of dreamers, peculiarly characteristic, too, of the genius of our country.”

These were the inventors of fantastic machines. Models of their contrivances were placed against some of the pillars of the hall, and afforded good emblems of the result generally to be anticipated from an attempt to reduce day-dreams to practice. The analogy may hold in morals as well as physics; for instance, here was the model of a railroad through the air and a tunnel under the sea. Here was a machine—stolen, I believe—for the distillation of heat from moonshine; and another for the condensation of morning mist into square blocks of granite, wherewith it was proposed to rebuild the entire Hall of Fantasy. One man exhibited a sort of lens whereby he had succeeded in making sunshine out of a lady’s smile; and it was his purpose wholly to irradiate the earth by means of this wonderful invention.

“It is nothing new,” said I; “for most of our sunshine comes from woman’s smile already.”

“True,” answered the inventor; “but my machine will secure a constant supply for domestic use; whereas hitherto it has been very precarious.”

Another person had a scheme for fixing the reflections of objects in a pool of water, and thus taking the most life-like portraits imaginable; and the same gentleman demonstrated the practicability of giving a permanent dye to ladies’ dresses, in the gorgeous clouds of sunset. There were at least fifty kinds of perpetual motion, one of which was applicable to the wits of newspaper editors and writers of every description. Professor Espy was here, with a tremendous storm in a gum-elastic bag. I could enumerate many more of these Utopian inventions; but, after all, a more imaginative collection is to be found in the Patent Office at Washington.

Turning from the inventors we took a more general survey of the inmates of the hall. Many persons were present whose right of entrance appeared to consist in some crotchet of the brain, which, so long as it might operate, produced a change in their relation to the actual world. It is singular how very few there are who do not occasionally gain admittance on such a score, either in abstracted musings, or momentary thoughts, or bright anticipations, or vivid remembrances; for even the actual becomes ideal, whether in hope or memory, and beguiles the dreamer into the Hall of Fantasy. Some unfortunates make their whole abode and business here, and contract habits which unfit them for all the real employments of life. Others—but these are few—possess the faculty, in their occasional visits, of discovering a purer truth than the world call impart among the lights and shadows of these pictured windows.

And with all its dangerous influences, we have reason to thank God that there is such a place of refuge from the gloom and chillness of actual life. Hither may come the prisoner, escaping from his dark and narrow cell and cankerous chain, to breathe free air in this enchanted atmosphere. The sick man leaves his weary pillow, and finds strength to wander hither, though his wasted limbs might not support him even to the threshold of his chamber. The exile passes through the Hall of Fantasy to revisit his native soil. The burden of years rolls down from the old man’s shoulders the moment that the door uncloses. Mourners leave their heavy sorrows at the entrance, and here rejoin the lost ones whose faces would else be seen no more, until thought shall have become the only fact. It may be said, in truth, that there is but half a life—the meaner and earthier half—for those who never find their way into the hall. Nor must I fail to mention that in the observatory of the edifice is kept that wonderful perspective-glass, through which the shepherds of the Delectable Mountains showed Christian the far-off gleam of the Celestial City. The eye of Faith still loves to gaze through it.

“I observe some men here,” said I to my friend, “who might set up a strong claim to be reckoned among the most real personages of the day.”

“Certainly,” he replied. “If a man be in advance of his age, he must be content to make his abode in this hall until the lingering generations of his fellow-men come up with him. He can find no other shelter in the universe. But the fantasies of one day are the deepest realities of a future one.”

“It is difficult to distinguish them apart amid the gorgeous and bewildering light of this ball,” rejoined I. “The white sunshine of actual life is necessary in order to test them. I am rather apt to doubt both men and their reasonings till I meet them in that truthful medium.”

“Perhaps your faith in the ideal is deeper than you are aware,” said my friend. “You are at least a democrat; and methinks no scanty share of such faith is essential to the adoption of that creed.”

Among the characters who had elicited these remarks were most of the noted reformers of the day, whether in physics, politics, morals, or religion. There is no surer method of arriving at the Hall of Fantasy than to throw one’s-self into the current of a theory; for, whatever landmarks of fact may be set up along the stream, there is a law of nature that impels it thither. And let it be so; for here the wise head and capacious heart may do their work; and what is good and true becomes gradually hardened into fact, while error melts away and vanishes among the shadows of the ball. Therefore may none who believe and rejoice in the progress of mankind be angry with me because I recognized their apostles and leaders amid the fantastic radiance of those pictured windows. I love and honor such men as well as they.

It would be endless to describe the herd of real or self styled reformers that peopled this place of refuge. They were the representatives of an unquiet period, when mankind is seeking to cast off the whole tissue of ancient custom like a tattered garment. Many of then had got possession of some crystal fragment of truth, the brightness of which so dazzled them that they could see nothing else in the wide universe. Here were men whose faith had embodied itself in the form of a potato; and others whose long beards had a deep spiritual significance. Here was the abolitionist, brandishing his one idea like an iron flail. In a word, there were a thousand shapes of good and evil, faith and infidelity, wisdom and nonsense,—a most incongruous throng.

Yet, withal, the heart of the stanchest conservative, unless he abjured his fellowship with man, could hardly have helped throbbing in sympathy with the spirit that pervaded these innumerable theorists. It was good for the man of unquickened heart to listen even to their folly. Far down beyond the fathom of the intellect the soul acknowledged that all these varying and conflicting developments of humanity were united in one sentiment. Be the individual theory as wild as fancy could make it, still the wiser spirit would recognize the struggle of the race after a better and purer life than had yet been realized on earth. My faith revived even while I rejected all their schemes. It could not be that the world should continue forever what it has been; a soil where Happiness is so rare a flower and Virtue so often a blighted fruit; a battle-field where the good principle, with its shield flung above its head, can hardly save itself amid the rush of adverse influences. In the enthusiasm of such thoughts I gazed through one of the pictured windows, and, behold! the whole external world was tinged with the dimly glorious aspect that is peculiar to the Hall of Fantasy, insomuch that it seemed practicable at that very instant to realize some plan for the perfection of mankind. But, alas! if reformers would understand the sphere in which their lot is cast they must cease to look through pictured windows. Yet they not only use this medium, but mistake it for the whitest sunshine.

“Come,” said I to my friend, starting from a deep revery, “let us hasten hence, or I shall be tempted to make a theory, after which there is little hope of any man.”

“Come hither, then,” answered he. “Here is one theory that swallows up and annihilates all others.”

He led me to a distant part of the hall where a crowd of deeply attentive auditors were assembled round an elderly man of plain, honest, trustworthy aspect. With an earnestness that betokened the sincerest faith in his own doctrine, he announced that the destruction of the world was close at hand.

“It is Father Miller himself!” exclaimed I.

“No less a man,” said my friend; “and observe how picturesque a contrast between his dogma and those of the reformers whom we have just glanced at. They look for the earthly perfection of mankind, and are forming schemes which imply that the immortal spirit will be connected with a physical nature for innumerable ages of futurity. On the other hand, here comes good Father Miller, and with one puff of his relentless theory scatters all their dreams like so many withered leaves upon the blast.”

“It is, perhaps, the only method of getting mankind out of the various perplexities into which they have fallen,” I replied. “Yet I could wish that the world might be permitted to endure until some great moral shall have been evolved. A riddle is propounded. Where is the solution? The sphinx did not slay herself until her riddle had been guessed. Will it not be so with the world? Now, if it should be burned to-morrow morning, I am at a loss to know what purpose will have been accomplished, or how the universe will be wiser or better for our existence and destruction.”

“We cannot tell what mighty truths may have been embodied in act through the existence of the globe and its inhabitants,” rejoined my companion. “Perhaps it may be revealed to us after the fall of the curtain over our catastrophe; or not impossibly, the whole drama, in which we are involuntary actors, may have been performed for the instruction of another set of spectators. I cannot perceive that our own comprehension of it is at all essential to the matter. At any rate, while our view is so ridiculously narrow and superficial it would be absurd to argue the continuance of the world from the fact that it seems to have existed hitherto in vain.”

“The poor old earth,” murmured I. “She has faults enough, in all conscience, but I cannot hear to have her perish.”

“It is no great matter,” said my friend. “The happiest of us has been weary of her many a time and oft.”

“I doubt it,” answered I, pertinaciously; “the root of human nature strikes down deep into this earthly soil, and it is but reluctantly that we submit to be transplanted, even for a higher cultivation in heaven. I query whether the destruction of the earth would gratify any one individual, except perhaps some embarrassed man of business whose notes fall due a day after the day of doom.”

Then methought I heard the expostulating cry of a multitude against the consummation prophesied by Father Miller. The lover wrestled with Providence for his foreshadowed bliss. Parents entreated that the earth’s span of endurance might be prolonged by some seventy years, so that their new-born infant should not be defrauded of his lifetime. A youthful poet murmured because there would be no posterity to recognize the inspiration of his song. The reformers, one and all, demanded a few thousand years to test their theories, after which the universe might go to wreck. A mechanician, who was busied with an improvement of the steam-engine, asked merely time to perfect his model. A miser insisted that the world’s destruction would be a personal wrong to himself, unless he should first be permitted to add a specified sum to his enormous heap of gold. A little boy made dolorous inquiry whether the last day would come before Christmas, and thus deprive him of his anticipated dainties. In short, nobody seemed satisfied that this mortal scene of things should have its close just now. Yet, it must be confessed, the motives of the crowd for desiring its continuance were mostly so absurd, that unless infinite Wisdom had been aware of much better reasons, the solid earth must have melted away at once.

For my own part, not to speak of a few private and personal ends, I really desired our old mother’s prolonged existence for her own dear sake.

“The poor old earth!” I repeated. “What I should chiefly regret in her destruction would be that very earthliness which no other sphere or state of existence can renew or compensate. The fragrance of flowers and of new-mown hay; the genial warmth of sunshine, and the beauty of a sunset among clouds; the comfort and cheerful glow of the fireside; the deliciousness of fruits and of all good cheer; the magnificence of mountains, and seas, and cataracts, and the softer charm of rural scenery; even the fast-falling snow and the gray atmosphere through which it descends,—all these and innumerable other enjoyable things of earth must perish with her. Then the country frolics; the homely humor; the broad, open-mouthed roar of laughter, in which body and soul conjoin so heartily! I fear that no other world call show its anything just like this. As for purely moral enjoyments, the good will find them in every state of being. But where the material and the moral exist together, what is to happen then? And then our mute four-footed friends and the winged songsters of our woods! Might it not be lawful to regret them, even in the hallowed groves of paradise?”

“You speak like the very spirit of earth, imbued with a scent of freshly turned soil,” exclaimed my friend.

“It is not that I so much object to giving up these enjoyments on my own account,” continued I, “but I hate to think that they will have been eternally annihilated from the list of joys.”

“Nor need they be,” he replied. “I see no real force in what you say. Standing in this Hall of Fantasy, we perceive what even the earth-clogged intellect of man can do in creating circumstances which, though we call them shadowy and visionary, are scarcely more so than those that surround us in actual life. Doubt not then that man’s disembodied spirit may recreate time and the world for itself, with all their peculiar enjoyments, should there still be human yearnings amid life eternal and infinite. But I doubt whether we shall be inclined to play such a poor scene over again.”

“O, you are ungrateful to our mother earth!” rejoined I. “Come what may, I never will forget her! Neither will it satisfy me to have her exist merely in idea. I want her great, round, solid self to endure interminably, and still to be peopled with the kindly race of man, whom I uphold to be much better than he thinks himself. Nevertheless, I confide the whole matter to Providence, and shall endeavor so to live that the world may come to an end at any moment without leaving me at a loss to find foothold somewhere else.”

“It is an excellent resolve,” said my companion, looking at his watch. “But come; it is the dinner-hour. Will you partake of my vegetable diet?”

A thing so matter of fact as an invitation to dinner, even when the fare was to be nothing more substantial than vegetables and fruit, compelled us forthwith to remove from the Hall of Fantasy. As we passed out of the portal we met the spirits of several persons who had been sent thither in magnetic sleep. I looked back among the sculptured pillars and at the transformations of the gleaming fountain, and almost desired that the whole of life might be spent in that visionary scene where the actual world, with its hard angles, should never rub against me, and only be viewed through the medium of pictured windows. But for those who waste all their days in the Hall of Fantasy, good Father Miller’s prophecy is already accomplished, and the solid earth has come to an untimely end. Let us be content, therefore, with merely an occasional visit, for the sake of spiritualizing the grossness of this actual life, and prefiguring to ourselves a state in which the Idea shall be all in all.

The End.


“ALREADY I FEEL that this Hawthorne has dropped germinous seeds into my soul,” exults Herman Melville, in an anonymous 1850 review of Nathaniel Hawthorne’s story collection Mosses from an Old Manse. Hawthorne, Melville breathlessly continues, “expands and deepens down, the more I contemplate him; and further, and further, shoots his strong New-England roots into the hot soil of my Southern soul.” Melville’s sentences burst with erotic double entendres that only the most willfully tone-deaf modern reader could miss. His homoerotic images leave so little to our contemporary sexual imaginary that they’re almost inelegant… Sure, those two might have eventually pursued dalliances on the side, as some functionally heterosexual married men, then as now, surely did. But any such dalliances cannot be what Melville’s erotic metaphors refer to, at least in this letter, if only for reasons of chronology: the two men did not meet until 5 August 1850, three weeks after the publication of Melville’s tantalizing review. If then we are concerned with Melville and Hawthorne’s relationship — if we believe it will tell us something about these two authors, or about American literature, or about, perhaps most compellingly, the history of desire — we have no access to that desire itself. All we are left with are representations of Melville’s feelings, tantalizingly expressed without being particularly easy to pinpoint. Los Angeles Review of Books

The Hall of Fantasy was included in Mosses from an Old Manse, the second of Hawthorne’s three major short story collections to be published in his lifetime.

#1850, #alhambra, #american, #arabian, #gothic, #hawthorne, #losangelesreviewofbooks, #melville, #mossesfromanoldmanse, #nathanielhawthorne, #newengland, #oldworld, #southern, #thehalloffantasy

David Smith – Guest Blog: Letters to Strabo – naming the characters

I will soon be reading and reviewing David Smith’s Letters to Strabo – in the meantime, here’s a guest post from the author.

Letters to Strabo by David Smith

Letters to Strabo by David Smith

PUBLISHED 28th November 2016

£8.99 / $10.52 (paperback)

£15.99 (hardback)

£4.99 / $6.43 (e-book)

Set in the late 1970s, Letters to Strabo is the fictional autobiography of Adam Finnegan Black, or ‘Finn’, an innocent young American who is insatiably curious about life. His ambition is to be a travel writer, like his heroes; Mark Twain, Ernest Hemingway and the ancient Greek ‘father of geography’, Strabo.

When Finn was young, his father Jerry went missing in a scuba diving accident in 1960’s Alexandria. After graduating from Allegheny College in Pennsylvania, Finn sets out to fulfil a promise made to his mother at her death.


David Smith — Guest Blog

Letters to Strabo – naming the characters

Behind every great love is an epic story waiting to be told.

 

My fourth novel Letters to Strabo is both a love story and a coming-of-age tale, set in the late 1970s. It takes the form of a fictional odyssey recorded with disarming honesty by my protagonist, an innocent young American writer called Finn Black. His adventures, both funny and evocative, follow closely the itinerary taken by Mark Twain on his own tour around the Mediterranean a century earlier in: The Innocents Abroad. The novel is structured around the seventeen chapters of the ancient Greek Strabo’s great work: Geographica; a book that Twain quoted from extensively in his own tale. In Finn’s words:

“I researched how famous travel writers made their first journeys for a series of articles. It fascinated me how they all took something worthwhile out of that first experience on the road, whether they later became writers, journalists or even philosophers. It opened my eyes to all sorts of new possibilities I wanted that life. I wanted to get going, to write and make my fortune. Find out what had really happened to my pa and maybe find a bit more of that mythical free love I’d been missing, too.”

Finn’s full name is Adam Finnegan Black. The ‘Finnegan’ has dual meaning. It’s a nod to Mark Twain (Huckleberry Finn) but also to James Joyce ‘Finnegan’s Wake.’ There’s a connection between these two as Joyce once joked that the end of Finnegan (i.e. the word fin in French) was such a good Twain joke that it deserved a good wake (the Irish celebration before a funeral).

I gave Finn the first name Adam, because I’d already chosen the name Eve for his pen-pal Eve, the beautiful archivist he meets at Olana in the Catskills at the beginning of the novel. Their love story is the thread throughout the book, described through her Letters to Strabo. Adam is also referred to by his friend Ahmet, a boy that Finn meets in Turkey when he shows him a photograph of Eve: “’A very beautiful woman and a very beautiful name,’ he said. ‘You know Adam means man in Turkish so it is fitting.’”

Finn’s surname Black reflects the fact that his father Jerry Black was a descendent of the US Attorney-General Jeremiah Black. Finn refers to his surname at the beginning of the novel “Well as for Black, I fear that all too well describes the recent temperament of my heart. But so be it.” Finn spends part of the novel searching to find out what happened to his father, a professional diver, when he drowned in Alexandra in 1962.

Actually giving names to characters can be a lot of fun, almost a god-like activity. One of the themes running through the novel is Homer’s Odyssey, another Mediterranean journey often referred to by Strabo in his great work. So Françoise Circe, the french girl he meets in Spain and then journeys with the Paris and Venice is a reference to the witch Circe that Odysseus meets on the island of Colchys. She invited them all to a grand feast, but one of the dishes was laced with a magical potion which changed his companions into pigs – a word Françoise quite often uses to describe men she doesn’t like: “’Come on Finn, allons nous,’ she said. ‘I don’t like that ignorant man. He’s swine. He’s likes a PIG.’”

Finn also later meets two Italians in Naples: Galatea and Martino, whose nickname is Polifemo. The latter’s subsequent death at the hands of Galatea, in Finn’s presence, is a reference to the killing of the one-eyed giant Polyphemus by Odysseus; Galatea being the “milk-white” object of the giant’s desire.

Finally the girl Nicky that Finn meets on Mykonos while he is lying asleep and naked on a lonely beach after washing his clothes: “I was woken from my siesta by a beach ball landing on my head, quickly followed by the sound of girls giggling. I realized my carefully positioned towel had fallen off my waist. I was completely naked.” She is named after Nausicaa the beautiful princess who almost steals Odysseus’s heart and leaves him a message: “Farewell stranger,’ he said. ‘Do not forget me when you’re safe at home again, for it is to me first that you owe a ransom for having saved your life.’”

 

 

Author’s bio

David Smith is a British author who has now published four works under the Troubador imprint. His first novel Searching For Amber has been described as “A powerful and notably memorable debut” with a review describing it as “masterly and confident” and another as “Extraordinary, poetic, enchanting, sublime”. In addition to writing, he is currently CFO of a blue chip UK public company and lives near the South Coast in England with his wife and three teenage children.

https://www.davidsmithauthor.blog

#1970s, #2016, #american, #davidsmith, #ebook, #finn, #geographica, #greek, #guestblog, #hardback, #huckleberryfinn, #letterstostrabo, #marktwain, #paperback, #smith, #strabo

5 Weird Fiction Authors

Not sure what to add next to your reading pile?

  1. Charles Baudelaire.
    Portrait of Baudelaire, painted in 1844 by Emile Deroy (1820–1846)

    Portrait of Baudelaire, painted in 1844 by Emile Deroy (1820–1846)

    French. You’ll probably like his work if you enjoy Edgar Allan Poe, Thomas de Quincey and Emanuel Swedenborg. Charles Pierre Baudelaire was a 19th century French poet, translator, and literary and art critic whose reputation rests primarily on Les Fleurs du Mal; (1857; The Flowers of Evil) which was perhaps the most important and influential poetry collection published in Europe in the 19th century. Similarly, his Petits poèmes en prose (1868; “Little Prose Poems”) was the most successful and innovative early experiment in prose poetry of the time. Goodreads

  2. Mike Russell. British. You’ll probably like his work if you enjoy Philip K. Dick, Angela Carter, Algernon Blackwood and Franz Kafka. Mike Russell is a British author best known for his books Nothing Is Strange, Strange Medicine and Strungballs. Goodreads

    Nothing Is Strange by Mike Russell

    Nothing Is Strange by Mike Russell

  3. Matthew Lewis. British. You’ll probably like his work if you enjoy Bram Stoker and Mary Shelley. Matthew Gregory Lewis was an English novelist and dramatist, often referred to as “Monk” Lewis, because of the success of his classic Gothic novel, The Monk. Goodreads

    The Monk (Oxford World's Classics)

    The Monk (Oxford World’s Classics)

  4. China Mieville. British. You’ll probably like his work if you enjoy J.G. Ballard, Michael de Larrabeiti, Thomas Disch and William Durbin. A British “fantastic fiction” writer. Goodreads. He’s the fifteenth most followed author on Goodreads, with over 200,000 book ratings. Titles include Embassytown, Un Lun Dun and Railsea.
  5. Howard Wandrei.
    MURPHY: THE COLLECTED FANTASY TALES OF HOWARD WANDREI VOLUME II

    MURPHY: THE COLLECTED FANTASY TALES OF HOWARD WANDREI VOLUME II

    American. You’ll probably like his work if you enjoy William Peter Blatty and Shirley Jackson. Howard Elmer Wandrei was a US artist and writer. Goodreads

#1844, #algernonblackwood, #american, #chinamieville, #classics, #deroy, #emanuelswedenborg, #embassytown, #europe, #evil, #french, #goodreads, #howardwandrei, #jackson, #larrabeiti, #lesfleursdumal, #lewis, #matthewlewis, #mikerussell, #monk, #murphy, #nothingisstrange, #oxford, #russell, #shelley, #strange, #theeeriemrmurphy, #themonk, #titles, #wandrei

5 Female Science Fiction Authors

Here are five fantastic female science fiction authors for you! Let me know in the comments who your favourites are. Who would you put on the list?

  1. Ursula K. Le Guin. Author of novels. Short stories: The Ones Who Walk Away from Omelas,Nine Lives, more
  2. Octavia Butler.
    Born Octavia Estelle Butler
    June 22, 1947
    Pasadena, California, U.S.
    Died February 24, 2006 (aged 58)
    Lake Forest Park, Washington, U.S.
    Occupation Writer
    Nationality American
    Period 1970–2006
    Genre Science fiction
  3. Lois McMaster Bujold. Lois McMaster Bujold is an American speculative fiction writer. She is one of the most acclaimed writers in her field, having won the Hugo Award for best novel four times, matching Robert A. Heinlein’s record, not counting his Retro Hugo.

    Bujold-450x394

  4. Andre Norton andre-norton-portrait-300x257 Andre Alice Norton (born Alice Mary Norton, February 17, 1912 – March 17, 2005) was an American writer of science fiction and fantasy, who also wrote works of historical fiction and contemporary fiction. She wrote primarily under the pen name Andre Norton, but also under Andrew North and Allen Weston. She was the first woman to be Gandalf Grand Master of Fantasy, first to be SFWA Grand Master, and first inducted by the Science Fiction and Fantasy Hall of Fame.
  5. Nalo Hopkinson nalo_h2Nalo Hopkinson (born 20 December 1960) is a Jamaican-born Canadian speculative fiction writer and editor. She currently lives and teaches in Riverside, California.

    I hope you’ve enjoyed this little list 🙂

#1947, #1960, #1970, #2006, #american, #andrenorton, #authors, #california, #fiction, #hugo, #list, #loismcmasterbujold, #nalohopkinson, #octaviabutler, #octaviaestellebutler, #retrohugo, #riverside, #robertaheinlein, #sciencefiction, #ursulakleguin, #washington, #writer

8 Lord Dunsany Books

Here are eight books by the incredible Lord Dunsany. If you haven’t read any of his work before, you should definitely give him a try. If you have read some before, perhaps you’ll discover some unknown pieces in this list.

  1. The Charwoman’s Shadow
    The Charwoman's Shadow by Lord Dunsany

    The Charwoman’s Shadow
    by Lord Dunsany 

    An old woman who spends her days scrubbing the floors might be an unlikely damsel in distress, but Lord Dunsany proves once again his mastery of the fantastical. The Charwoman’s Shadow is a beautiful tale of a sorcerer’s apprentice who discovers his master’s nefarious usage of stolen shadows, and vows to save the charwoman from her slavery. Goodreads. 1926.

  2. The Book of Wonder
    The Book of Wonder by Lord Dunsany

    The Book of Wonder by Lord Dunsany

    “Not only does any tale which crosshatches between this world and Faerie owe a Founder’s Debt to Lord Dunsany, but the secondary world created by J.R.R. Tolkien–from which almost all fantasylands have devolved–also took shape and flower from Dunsany’s example.” –The Encyclopedia of Fantasy. 1912. It’s quite difficult to convey in words how happy reading Lord Dunsany’s short fiction makes me. Eleanor Toland, Goodreads reviewer

  3. Fifty-One TalesWithout doubt Lord Dunsany was one of the most influential writers of fantasy fiction in twentieth century.Goodreads. 1915. A hen decides to go south for the winter, an angel tosses an advertiser into Hell, an orange makes nefarious plans and a sphinx visits Thebes, Massachusetts. Often witty, frequently melancholy and occasionally blood-chillingly creepy, these fifty-one very short stories are a foundational document for the modern fantasy genre. Decades before Neil Gaiman was born, Dunsany wrote about a cyclist encountering decrepit versions of Odin and Thor begging for worship by the side of the road. – Eleanor Toland, Goodreads reviewer
    Fifty-One Tales by Lord Dunsany

    Fifty-One Tales
    by Lord Dunsany

    The first editions, in hardcover, were published simultaneously in London and New York City by Elkin Mathews and Mitchell Kennerly, respectively, in April, 1915. The British and American editions differ in that they arrange the material slightly differently and that each includes a story the other omits; “The Poet Speaks with Earth” in the British version, and “The Mist” in the American version. Wikipedia

  4. Don Rodriguez: Chronicles of Shadow ValleyAfter long and patient research I am still unable to give to the reader of these Chronicles the exact date of the times that they tell of. Goodreads. 1922. “Don Rodriguez: Chronicles of Shadow Valley conveys its young disinherited protagonist through a fantasized Spain, gifting him with a Sancho Panza companion, good luck with magicians, and a castle” — The Encyclopedia of Fantasy.
  5. The Hashish Man and Other Stories
    The Hashish Man and Other Stories by Lord Dunsany

    The Hashish Man and Other Stories by Lord Dunsany

    In this collection of 23 short stories, one of the original masters of early-twentieth-century science fiction and fantasy is introduced to a new generation of readers. Goodreads

  6. Gods, Men and Ghosts: The Best Supernatural Fiction of Lord DunsanyIrish writer Edward J. M. D. Plunkett, 18th Baron of Dunsany, ranks among the twentieth century’s great masters of supernatural and science fiction. Goodreads. 260 pages. I had this book in my home as a child, but I had to read some other stuff first to truly appreciate it. HP Lovecraft’s Dream-Quest of Unknown Kadath, Jack Vance’s Eyes of the Overworld, I reread The Hobbit as an adult and fell in love again, and then I understood a predecessor to them all, Lord Dunsany. Arpad Okay, Goodreads reviewer
  7. Tales of Three Hemispheres
    Tales of Three Hemispheres by Lord Dunsany

    Tales of Three Hemispheres by Lord Dunsany

    This peculiar collection is a very real treat: we envy you the reading of it. Goodreads. 108 pages. The section at the latter part of the book he calls Beyond the Fields We Know is beyond remarkable. Andrew James Jiao, Goodreads reviewer

  8. The Blessing of Pan. “The Blessing of Pan portrays English rural life under a sign of paganism, after the fashion of writers like T.F. Powys.” — The Encyclopedia of Fantasy. 288 pages. Published in 1927, this is a highly unusual tale of fantasy. Daniel Martin Eckhart, Goodreads reviewer

    Lord Dunsany

    Lord Dunsany

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A Timeline of Weird Fiction

From Akutagawa to Ajvaz, here is a handy timeline of Weird Fiction!

atimelineofweirdfiction

I hope you find it useful! Feel free to share it everywhere 😉

#1892, #1897, #1908, #1917, #1949, #1952, #1970, #1973, #1980s, #aesthetics, #ajvaz, #akutagawa, #american, #anthology, #artist, #author, #barker, #books, #booksofblood, #clivebarker, #editor, #english, #examiningtheodd, #fantasy, #fiction, #film-2, #flashfiction, #horror, #lairdsamuelbarron, #leonoracarrington, #literary, #literarystyle, #magicrealism, #mexican, #michalajvaz, #mikerussell, #nelsonsladebond, #newyork, #novelist, #poet, #prague, #review, #russian, #series, #share, #strange, #translator, #weirdfiction, #wikipedia, #writer