5 Days of Oscar Wilde – 4: The Grosvenor Gallery, 1877

5 Days of Oscar Wilde – 4: The Grosvenor Gallery, 1877

That ‘Art is long and life is short’ is a truth which every one feels, or ought to feel; yet surely those who were in London last May, and had in one week the opportunities of hearing Rubenstein play the Sonata Impassionata, of seeing Wagner conduct the Spinning-Wheel Chorus from the Flying Dutchman, and of studying art at the Grosvenor Gallery, have very little to complain of as regards human existence and art-pleasures.

A Week of Aubrey Beardsley – Friday

A Week of Aubrey Beardsley – Friday

Welcome to day five of Aubrey Beardsley Week here on Examining the Odd!

I see everything in a grotesque way. When I go to the theatre, for example, things shape themselves before my eyes just as a I draw them — the people on the stage, the footlights, the queer faces and garb of the audience in the boxes and stalls. They all seem weird and strange to me. Things have always impressed me in this way. – From an interview given in 1894, as quoted in Aubrey Beardsley : A Biography (1999) by Matthew Sturgis, p. 220